{"title":"Felix Salten的《原始斑比:森林中的生活故事》和Rolf Brandt的《闹鬼的滑稽童话》(评论)","authors":"Jan Susina","doi":"10.1353/chq.2022.0056","DOIUrl":null,"url":null,"abstract":"Book Reviews online spaces (such as #disabilitytwitter). The web’s capacity to contain multitudes means there has been a marked increase in the visibility of the disabled community, and more significantly, an expansive space to nurture relationships, debate issues, share stories, and form powerful and participatory alliances within and across marginalized communities. In her concluding chapter, Meyer reflects on Gubar’s “kinship model,” remarking that just as children’s literature prompts a deeper understanding and respect for children, the same should be true for the disabled community. Her preceding chapters have done well to provide context and support for this call to action. That said, some readers might find elements of Meyer’s arguments to be far-reaching, especially the means by which she conflates adolescence—and the range of emotions that are typically associated with this period—with mental illness. Additionally, as she draws from an impressive range of source material for each chapter, her discussion is sometimes circuitous, particularly when trying to incorporate examples of myriad modes and platforms in chapter 6. At other times, there are instances when the depth of her analysis appears uneven, with less detail and discussion given to those texts she views most critically. However, the depth and significance of her project should not be understated, nor should the insight brought to light through her analytical work. Ultimately, From Wallflowers to Bulletproof Families successfully achieves Meyer’s goal of substantiating the field of young adult literature as a site for productive interrogation and discourse, with the potential to promote radical change.","PeriodicalId":40856,"journal":{"name":"Childrens Literature Association Quarterly","volume":"47 1","pages":"431 - 434"},"PeriodicalIF":0.1000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Original Bambi: The Story of a Life in the Forest by Felix Salten, and: Haunting and Hilarious Fairy Tales by Rolf Brandt (review)\",\"authors\":\"Jan Susina\",\"doi\":\"10.1353/chq.2022.0056\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Book Reviews online spaces (such as #disabilitytwitter). The web’s capacity to contain multitudes means there has been a marked increase in the visibility of the disabled community, and more significantly, an expansive space to nurture relationships, debate issues, share stories, and form powerful and participatory alliances within and across marginalized communities. In her concluding chapter, Meyer reflects on Gubar’s “kinship model,” remarking that just as children’s literature prompts a deeper understanding and respect for children, the same should be true for the disabled community. Her preceding chapters have done well to provide context and support for this call to action. That said, some readers might find elements of Meyer’s arguments to be far-reaching, especially the means by which she conflates adolescence—and the range of emotions that are typically associated with this period—with mental illness. Additionally, as she draws from an impressive range of source material for each chapter, her discussion is sometimes circuitous, particularly when trying to incorporate examples of myriad modes and platforms in chapter 6. At other times, there are instances when the depth of her analysis appears uneven, with less detail and discussion given to those texts she views most critically. However, the depth and significance of her project should not be understated, nor should the insight brought to light through her analytical work. Ultimately, From Wallflowers to Bulletproof Families successfully achieves Meyer’s goal of substantiating the field of young adult literature as a site for productive interrogation and discourse, with the potential to promote radical change.\",\"PeriodicalId\":40856,\"journal\":{\"name\":\"Childrens Literature Association Quarterly\",\"volume\":\"47 1\",\"pages\":\"431 - 434\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Childrens Literature Association Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/chq.2022.0056\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Childrens Literature Association Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/chq.2022.0056","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
The Original Bambi: The Story of a Life in the Forest by Felix Salten, and: Haunting and Hilarious Fairy Tales by Rolf Brandt (review)
Book Reviews online spaces (such as #disabilitytwitter). The web’s capacity to contain multitudes means there has been a marked increase in the visibility of the disabled community, and more significantly, an expansive space to nurture relationships, debate issues, share stories, and form powerful and participatory alliances within and across marginalized communities. In her concluding chapter, Meyer reflects on Gubar’s “kinship model,” remarking that just as children’s literature prompts a deeper understanding and respect for children, the same should be true for the disabled community. Her preceding chapters have done well to provide context and support for this call to action. That said, some readers might find elements of Meyer’s arguments to be far-reaching, especially the means by which she conflates adolescence—and the range of emotions that are typically associated with this period—with mental illness. Additionally, as she draws from an impressive range of source material for each chapter, her discussion is sometimes circuitous, particularly when trying to incorporate examples of myriad modes and platforms in chapter 6. At other times, there are instances when the depth of her analysis appears uneven, with less detail and discussion given to those texts she views most critically. However, the depth and significance of her project should not be understated, nor should the insight brought to light through her analytical work. Ultimately, From Wallflowers to Bulletproof Families successfully achieves Meyer’s goal of substantiating the field of young adult literature as a site for productive interrogation and discourse, with the potential to promote radical change.