{"title":"拉帕拉达·拉弗伦特(1970):智利的政治漫画、全球60年代和流行文化","authors":"Matias Hermosilla","doi":"10.7560/slapc3802","DOIUrl":null,"url":null,"abstract":"Abstract:This article examines the case of La Palmada en la Frente (1970), a one-issue political cartoon magazine, drawn and written by cartoonist Lugoze and produced in the context of a scare campaign against the possible election of the socialist Salvador Allende (1969–1970). This ephemeral document belonged to a larger group of publications that used humor and cartoons as ideological weapons. An extensive examination of this source allows a recast of the relationship between popular culture and politics in the Chilean experience of the global sixties. This essay argues that political cartoons work as a portal through which to understand behaviors, social problems, prejudices, fears, stereotypes, and myths that can enforce and challenge the study of Latin American popular culture and the sixties.","PeriodicalId":53864,"journal":{"name":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La Palmada en la Frente (1970): Political Cartoons, the Global Sixties, and Popular Culture in Chile\",\"authors\":\"Matias Hermosilla\",\"doi\":\"10.7560/slapc3802\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article examines the case of La Palmada en la Frente (1970), a one-issue political cartoon magazine, drawn and written by cartoonist Lugoze and produced in the context of a scare campaign against the possible election of the socialist Salvador Allende (1969–1970). This ephemeral document belonged to a larger group of publications that used humor and cartoons as ideological weapons. An extensive examination of this source allows a recast of the relationship between popular culture and politics in the Chilean experience of the global sixties. This essay argues that political cartoons work as a portal through which to understand behaviors, social problems, prejudices, fears, stereotypes, and myths that can enforce and challenge the study of Latin American popular culture and the sixties.\",\"PeriodicalId\":53864,\"journal\":{\"name\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-05-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN LATIN AMERICAN POPULAR CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/slapc3802\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN LATIN AMERICAN POPULAR CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/slapc3802","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文探讨了《La Palmada en La French》(1970)的案例,这是一本由漫画家卢戈泽绘制和撰写的一期政治漫画杂志,是在反对社会主义者萨尔瓦多·阿连德(1969–1970)可能当选的恐慌运动背景下制作的。这份短暂的文件属于一个更大的出版物群体,这些出版物将幽默和漫画作为意识形态武器。对这一来源进行广泛的研究,可以在全球60年代的智利经历中重新塑造流行文化和政治之间的关系。本文认为,政治漫画是一个了解行为、社会问题、偏见、恐惧、刻板印象和神话的门户,这些都可以加强和挑战对拉丁美洲流行文化和60年代的研究。
La Palmada en la Frente (1970): Political Cartoons, the Global Sixties, and Popular Culture in Chile
Abstract:This article examines the case of La Palmada en la Frente (1970), a one-issue political cartoon magazine, drawn and written by cartoonist Lugoze and produced in the context of a scare campaign against the possible election of the socialist Salvador Allende (1969–1970). This ephemeral document belonged to a larger group of publications that used humor and cartoons as ideological weapons. An extensive examination of this source allows a recast of the relationship between popular culture and politics in the Chilean experience of the global sixties. This essay argues that political cartoons work as a portal through which to understand behaviors, social problems, prejudices, fears, stereotypes, and myths that can enforce and challenge the study of Latin American popular culture and the sixties.