挖掘李正燮的天堂壁画

Q4 Arts and Humanities

Art in Translation Pub Date : 2020-10-01 DOI:10.1080/17561310.2020.1899430

J. Lee

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引用次数: 1

摘要

李廷燮(1916 ~ 1956年)在日本殖民时期(1910 ~ 1945年)的平壤和东京，在充满活力和进步的环境中培养了自己的艺术才能。他创作了表现主义的公牛画、实验性的锡纸画、充满万物有灵象征主义和超现实主义地方风格的俏皮插图。他一直渴望画出像壁画一样的大型杰作，但在6•25战争(1950 ~ 1953年)的动荡和余波中未能实现这一目标。本文探讨了李在现代韩国全球艺术背景下创作一幅不朽壁画的未实现愿望的种子和痕迹。

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Excavating the Mural of Paradise by Lee Jung-Seob

Abstract Lee Jung-Seob (1916–1956) cultivated his artistic talent in the dynamic and progressive environment of Pyongyang and Tokyo during the Japanese colonial period (1910–45), presenting expressionistic paintings of bulls, experimental tinfoil drawings, and playful illustrations, filled with animistic symbolism and Surrealist local style. He always yearned to paint a large-scale masterpiece like a mural but could not achieve this goal in the turmoil of the Korean War (1950–53) and its aftermath. This paper explores the seeds and traces of Lee’s unfulfilled desire to create a monumental mural painting in the context of global art in modern Korea.

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来源期刊

Art in Translation Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

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