安斯基中篇小说中的“爱”与政治空间

IF 0.2 4区 哲学 Q2 HISTORY
Madeleine Cohen
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引用次数: 0

摘要

摘要在他的中篇小说《在溪流中》中,Sh.Ansky通过对城市物理空间的再现,尤其是成为工人组织中心位置的城市公园,描绘了1905年犹太人革命的复杂性。本文探讨了中篇小说如何利用城市公园“活的犹太人空间”的表征,进一步推动建立基于意第绪文化和东欧空间和体验的革命性犹太人身份的事业。我称这种写作为“文学的do'ikayt”(连贯性):这是该时期意第绪主义和革命政治的文学表现,试图建立基于生活经验和与地方的关系的政治和文化认同,同时抵制领土民族主义,将其作为解决犹太人或其他国家工人阶级问题的方法。文章还提供了do'ikayt一词的历史和学术背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Do’ikayt and the Spaces of Politics in An-sky’s Novella In shtrom
ABSTRACT In his novella In shtrom (In the Stream), Sh. An-sky depicts the complexities of the 1905 revolution for Jews through representation of the physical spaces of the city, especially the city park that becomes the central location for the workers' organizations. This article investigates how the novella uses representations of the “lived Jewish space” of the city park to further the cause of building a revolutionary Jewish identity grounded in Yiddish culture and the spaces and experiences of eastern Europe. I call this kind of writing “literary do'ikayt” (hereness): a literary manifestation of the Yiddishist and revolutionary politics of the period that sought to build political and cultural identity grounded in lived experience and a relationship to place, while resisting territorial nationalism as a solution to the problems of either Jews or the working classes of other nations. The article also provides historical and scholarly background on the term do'ikayt.
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