应对和重建双重流行病:对国家美术协调员Alysia Lee和Dale Schmid的采访

Q1 Arts and Humanities
Sean Grier
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引用次数: 0

摘要

摘要:本文考察了在COVID-19和系统性种族不公正的双重流行病中,两个州美术协调员的反应和重建努力。2021年3月,马里兰州教育部美术教育教育项目主管Alysia Lee女士和最近退休的新泽西州教育部视觉和表演艺术协调员Dale Schmid博士概述了他们在两次大流行开始时和整个过程中的工作范围。李女士和施密德先生回顾了他们的国家组织对COVID-19大流行的初步反应,强调了对资源、专业学习和社区支持的明确需求。虽然这次采访最初是为了了解李女士和施密德先生对他们的州艺术组织对COVID-19大流行的初步反应的反思,但谈话最终集中在他们对艺术教育中种族和社会正义问题的贡献上。访谈中涉及公平、准入、反种族主义和基于正义的实践等问题的部分内容被完整收录。最后,本文以李和施密德的观点为中心,提出了未来政策和实践的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Responding & rebuilding amidst dual pandemics: an interview with state fine arts coordinators Alysia Lee & Dale Schmid
Abstract This paper examines the response and rebuilding efforts of two state fine arts coordinators amidst dual pandemics: COVID-19 and systemic racial injustice. In March 2021, Ms. Alysia Lee, Education Program Supervisor for Fine Arts Education for the Maryland State Department of Education and Dr. Dale Schmid, recently retired Visual and Performing Arts Coordinator for the New Jersey State Department of Education, outlined the scope of their work at the onset, and throughout, both pandemics. Ms. Lee and Mr. Schmid provided reflections regarding their state organization’s initial response to the COVID-19 pandemic, highlighting an expressed need for resources, professional learning, and community support. While the interview was originally conceived to gain Ms. Lee’s and Mr. Schmid’s reflections on their state arts organization’s initial responses to the COVID-19 pandemic, the conversation ultimately centered their dedication to issues of racial and social justice in arts education. Portions of the interview wherein issues of equity, access, and anti-racist and justice-based practice are discussed are included in full. The paper concludes by centering Ms. Lee’s and Mr. Schmid’s voices in offering possibilities for future policy and practice.
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来源期刊
Arts Education Policy Review
Arts Education Policy Review Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.90
自引率
0.00%
发文量
30
期刊介绍: Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.
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