美术中蓝色颜料的历史-绘画，从一个油漆制造商的角度

Q4 Multidisciplinary

Journal and Proceedings - Royal Society of New South Wales Pub Date : 2020-12-01 DOI:10.5962/p.361918

Steven Patterson

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引用次数: 0

摘要

在这篇文章中，|将向你介绍蓝色，我们如何以及为什么看到它，以及我们作为一个物种，何时开始发现和使用它的各种版本。我只讲蓝色颜料，而不是染料。我所讨论的许多蓝调都有不同的名称，这取决于它们的产地、使用年代，有时还取决于它们的化学成分的细微变化。我不关注蓝色染料，主要是因为它们固有的不耐光性(因此对艺术家没有用处)。

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The history of blue pigments in the Fine Arts – painting, from the perspective of a paint maker

In this text, | will introduce you to the colour blue, how and why we see it and when we, as a species, started to discover and use its various versions. I only cover blue pigments as opposed to dyes. Many of the blues that I discuss are known by several names depending on locality, the age in which they were used and, at times, slight variations of their chemical makeup. I do not look at blue dyes mainly due to their inherent lack of lightfastness (and, therefore, usefulness to the artist)

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来源期刊

Journal and Proceedings - Royal Society of New South Wales Multidisciplinary-Multidisciplinary

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Society''s journal is one of the oldest peer-reviewed publications in the Southern Hemisphere. Much innovative research of the 19th and early 20th centuries was first brought to the attention of the scientific world through the Journal and Proceedings of the Royal Society of New South Wales. In the last few decades specialist journals have become preferred for highly technical work but the Journal and Proceedings remains an important publication for multidisciplinary and transdisciplinary work. The Journal and Proceedings is exchanged with many institutions worldwide. Currently issues are usually published around June and December each year, although a single December issue appeared in 2016.