“绝对回归”:查尔斯·恩德尔《时尚先生》对凯里亚德和克莱德的颠覆

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2017-09-02 DOI:10.1080/14714787.2017.1396914

D. McNaughton

{"title":"“绝对回归”:查尔斯·恩德尔《时尚先生》对凯里亚德和克莱德的颠覆","authors":"D. McNaughton","doi":"10.1080/14714787.2017.1396914","DOIUrl":null,"url":null,"abstract":"This article examines a significant, but neglected, Glasgow-set STV drama serial from 1979, Charles Endell Esquire. The article examines the way in which Charles Endell Esquire exploits and subverts classic tropes of Scottish identity to construct a liminal narrative and generic space between comedy and drama, subverting the stereotypical models of Kailyard and Clydesideism. Using the idea of ‘place-myth’, the article examines the ways in which the series’ use of location filming sets up a structuring paradigm between tradition and modernity within the city of Glasgow, and between gritty urban Glasgow Clydesideism and the rural Kailyard of the Scottish countryside.","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"18 1","pages":"362 - 377"},"PeriodicalIF":0.0000,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2017.1396914","citationCount":"1","resultStr":"{\"title\":\"‘Def-i-nitely Back’: Subversion of Kailyard and Clydeside in Charles Endell Esquire\",\"authors\":\"D. McNaughton\",\"doi\":\"10.1080/14714787.2017.1396914\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines a significant, but neglected, Glasgow-set STV drama serial from 1979, Charles Endell Esquire. The article examines the way in which Charles Endell Esquire exploits and subverts classic tropes of Scottish identity to construct a liminal narrative and generic space between comedy and drama, subverting the stereotypical models of Kailyard and Clydesideism. Using the idea of ‘place-myth’, the article examines the ways in which the series’ use of location filming sets up a structuring paradigm between tradition and modernity within the city of Glasgow, and between gritty urban Glasgow Clydesideism and the rural Kailyard of the Scottish countryside.\",\"PeriodicalId\":35078,\"journal\":{\"name\":\"Visual Culture in Britain\",\"volume\":\"18 1\",\"pages\":\"362 - 377\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14714787.2017.1396914\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Culture in Britain\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14714787.2017.1396914\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2017.1396914","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 1

摘要

这篇文章探讨了1979年以格拉斯哥为背景的STV电视连续剧《Charles Endell Esquire》。文章探讨了Charles Endell Esquire如何利用和颠覆苏格兰身份的经典比喻，在喜剧和戏剧之间构建一个边缘叙事和一般空间，颠覆凯利亚德和克莱德主义的刻板模式。文章运用“地方神话”的概念，考察了该系列电影对外景拍摄的使用如何在格拉斯哥市的传统与现代之间，以及在坚韧不拔的城市格拉斯哥克莱德主义与苏格兰乡村的乡村凯利亚德之间建立起一种结构范式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

‘Def-i-nitely Back’: Subversion of Kailyard and Clydeside in Charles Endell Esquire

This article examines a significant, but neglected, Glasgow-set STV drama serial from 1979, Charles Endell Esquire. The article examines the way in which Charles Endell Esquire exploits and subverts classic tropes of Scottish identity to construct a liminal narrative and generic space between comedy and drama, subverting the stereotypical models of Kailyard and Clydesideism. Using the idea of ‘place-myth’, the article examines the ways in which the series’ use of location filming sets up a structuring paradigm between tradition and modernity within the city of Glasgow, and between gritty urban Glasgow Clydesideism and the rural Kailyard of the Scottish countryside.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量