{"title":"这并不新鲜:黑人女孩媒体制作的系谱方法","authors":"A. Wade","doi":"10.1215/02705346-9561395","DOIUrl":null,"url":null,"abstract":"\n During the nineteenth and early to mid-twentieth centuries, the Black press served as a cornerstone of Black social and political life in the United States. For Black Americans, newspapers and magazines functioned as both informational resources and philosophical spaces that engaged conversations of racial uplift, which often centered Black girlhood as an especially important site for assessing racial progress. Despite the evolving nature of media platforms themselves, the relationship between media and Black Americans continues to be a tool by which to measure the pulse of Black life; the role of digital media in the lives of twenty-first-century Black Americans mirrors that of Black magazines and newspapers in the nineteenth and twentieth centuries. Of particular note is the way that Black youth, especially Black girls, use digital media spaces to make themselves (and their experiences) visible and generate social discourse through the content they post on social media. In this article, I look at historical Black titles—the Woman's Era and the Brownies’ Book—as well as contemporary Black girls’ social media content to show how Black girls have historically developed a discourse of Black girlhood alongside their adult counterparts who were concerned with racial uplift and continue to author and theorize their lives through digital media.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Not New to This: A Genealogical Approach to Black Girls’ Media Production\",\"authors\":\"A. Wade\",\"doi\":\"10.1215/02705346-9561395\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n During the nineteenth and early to mid-twentieth centuries, the Black press served as a cornerstone of Black social and political life in the United States. For Black Americans, newspapers and magazines functioned as both informational resources and philosophical spaces that engaged conversations of racial uplift, which often centered Black girlhood as an especially important site for assessing racial progress. Despite the evolving nature of media platforms themselves, the relationship between media and Black Americans continues to be a tool by which to measure the pulse of Black life; the role of digital media in the lives of twenty-first-century Black Americans mirrors that of Black magazines and newspapers in the nineteenth and twentieth centuries. Of particular note is the way that Black youth, especially Black girls, use digital media spaces to make themselves (and their experiences) visible and generate social discourse through the content they post on social media. In this article, I look at historical Black titles—the Woman's Era and the Brownies’ Book—as well as contemporary Black girls’ social media content to show how Black girls have historically developed a discourse of Black girlhood alongside their adult counterparts who were concerned with racial uplift and continue to author and theorize their lives through digital media.\",\"PeriodicalId\":44647,\"journal\":{\"name\":\"CAMERA OBSCURA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMERA OBSCURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/02705346-9561395\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-9561395","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Not New to This: A Genealogical Approach to Black Girls’ Media Production
During the nineteenth and early to mid-twentieth centuries, the Black press served as a cornerstone of Black social and political life in the United States. For Black Americans, newspapers and magazines functioned as both informational resources and philosophical spaces that engaged conversations of racial uplift, which often centered Black girlhood as an especially important site for assessing racial progress. Despite the evolving nature of media platforms themselves, the relationship between media and Black Americans continues to be a tool by which to measure the pulse of Black life; the role of digital media in the lives of twenty-first-century Black Americans mirrors that of Black magazines and newspapers in the nineteenth and twentieth centuries. Of particular note is the way that Black youth, especially Black girls, use digital media spaces to make themselves (and their experiences) visible and generate social discourse through the content they post on social media. In this article, I look at historical Black titles—the Woman's Era and the Brownies’ Book—as well as contemporary Black girls’ social media content to show how Black girls have historically developed a discourse of Black girlhood alongside their adult counterparts who were concerned with racial uplift and continue to author and theorize their lives through digital media.
期刊介绍:
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.