“难以描述”的景观:模范村与首都

IF 0.2 4区 艺术学 0 ARCHITECTURE
P. Springstubb
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引用次数: 0

摘要

摘要在20世纪中期的旁遮普邦,基层发展项目试图通过将权力下放给村庄来实现农村现代化。同一时期建造的首都昌迪加尔似乎代表了相反的情况:它是新独立的印度中央集权的国家象征。然而,这篇文章认为,农村和城市是相互的、不稳定的对应物。通过M.S.Randhawa的工作,它重新定位了对昌迪加尔的分析,以揭示景观本身的物质性是如何成为领土规划的媒介,将城市和乡村永久联系起来,并管理它们之间的区别。兰德哈瓦是一名植物学家和公务员,他利用景观来实现现代化议程,并在项目中限制社会变革,从示范村和城市的“生物美学”计划,到开创绿色革命工业化农业的新批地大学。他的作品提供了发展实践者和分期的修正主义历史。它展示了殖民后期农村隆起的不均衡结构如何塑造了后殖民时期国家主导的农业转型的轮廓。本文以景观中的公务员为线索,呼吁将发展和国家形成等抽象理论建立在其地方变化的历史中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Landscape “Difficult to Describe”: The Model Village and the Capital City
Abstract In mid-twentieth-century Punjab, grassroots development projects sought to modernize the countryside by decentralizing power to villages. The capital city Chandigarh, built in the same period, seems to represent the opposite: a national symbol of a newly independent India’s centralized power. Yet, this article argues, rural and urban were reciprocal and volatile counterparts. Through the work of M.S. Randhawa, it reorients analysis of Chandigarh to reveal how the materiality of landscape itself was a medium for territorial planning, indelibly linking—and managing the distinctions between—city and countryside. A botanist and civil servant, Randhawa used landscape to realize modernizing agendas and to constrain social change in projects from model villages and a “bioaesthetic” plan for the city to new land-grant universities that ushered in the Green Revolution’s industrialized agriculture. His work offers a revisionist history of development’s practitioners and periodization. It shows how an uneven fabric of late-colonial rural uplift shaped the contours of postcolonial, state-directed agrarian transformation. Following the civil servant in the landscape, this article calls for the grounding of abstract theories like development and state formation in histories of their local inflections.
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来源期刊
CiteScore
0.30
自引率
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发文量
17
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