布鲁尔和弗拉格的昆虫合唱团

IF 0.1 0 LITERATURE
Simplegadi Pub Date : 2021-11-01 DOI:10.17456/simple-176
J. Klaver
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引用次数: 0

摘要

19世纪下半叶出现了两种对生物体与环境之间复杂关系的解释,它们有的相互竞争,有的相互重叠。从威廉·佩利的自然神学思想和恩斯特·海克尔的生态学概念开始,以及这两种看待自然的观点是如何在弗朗西斯教皇的目的论和华兹华斯式的生态学方法中结合在一起的,这篇文章集中在两位成功的自然主义作家,英国的科巴姆·布鲁尔和美国的威尔逊·弗拉格,通过他们各自对自然的宗教和生态观念,表达他们对昆虫合唱团所产生的“音乐”的迷恋
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Brewer and Flagg’s Insect Choirs
The second half of the nineteenth century saw two partly competing, partly overlapping explanations for the intricate relations of organisms to the environment. Starting from William Paley’s idea of Natural Theology and Ernst Haeckel’s concept of ecology, and how these two strands of looking at nature come together in Pope Francis’s both teleological and Wordsworthian ecological approach in Laudato si’, this essay concentrates on the way two successful naturalist writers, Cobham Brewer in England and Wilson Flagg in America, express their enchantment with the ‘music’ produced by insect choirs through their respective religious and ecological ideas of nature
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Simplegadi
Simplegadi LITERATURE-
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