{"title":"恐怖小女孩","authors":"Karen E Macfarlane","doi":"10.3366/gothic.2023.0150","DOIUrl":null,"url":null,"abstract":"The Creepy Little Girl is a subset of the Gothic Child and as such, she works differently from the evil child or the monstrous child in contemporary Gothic. Unlike the contradictions inherent in representations of the evil child whose presence is disruption and destruction, or the monstrous child who is dangerous, the Creepy Little Girl serves as a function of the Gothic: she is that figure through which the narrative is unsettled and the Gothic intrudes. The Creepy Little Girl is defined by her hypergendered position in the narratives in which she appears: as both ‘little’ and very much as ‘girl’. The little girl's presence in contemporary gothic narratives destabilises the familiar, the domestic, and the cute and that is the basis for the gothic unease that she engenders.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Creepy Little Girl\",\"authors\":\"Karen E Macfarlane\",\"doi\":\"10.3366/gothic.2023.0150\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Creepy Little Girl is a subset of the Gothic Child and as such, she works differently from the evil child or the monstrous child in contemporary Gothic. Unlike the contradictions inherent in representations of the evil child whose presence is disruption and destruction, or the monstrous child who is dangerous, the Creepy Little Girl serves as a function of the Gothic: she is that figure through which the narrative is unsettled and the Gothic intrudes. The Creepy Little Girl is defined by her hypergendered position in the narratives in which she appears: as both ‘little’ and very much as ‘girl’. The little girl's presence in contemporary gothic narratives destabilises the familiar, the domestic, and the cute and that is the basis for the gothic unease that she engenders.\",\"PeriodicalId\":42443,\"journal\":{\"name\":\"Gothic Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gothic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/gothic.2023.0150\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gothic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/gothic.2023.0150","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Creepy Little Girl is a subset of the Gothic Child and as such, she works differently from the evil child or the monstrous child in contemporary Gothic. Unlike the contradictions inherent in representations of the evil child whose presence is disruption and destruction, or the monstrous child who is dangerous, the Creepy Little Girl serves as a function of the Gothic: she is that figure through which the narrative is unsettled and the Gothic intrudes. The Creepy Little Girl is defined by her hypergendered position in the narratives in which she appears: as both ‘little’ and very much as ‘girl’. The little girl's presence in contemporary gothic narratives destabilises the familiar, the domestic, and the cute and that is the basis for the gothic unease that she engenders.
期刊介绍:
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.