{"title":"我眼中的音乐：与阿兰·戈米斯的对话","authors":"Guillaume Coly","doi":"10.2979/blackcamera.14.1.07","DOIUrl":null,"url":null,"abstract":"Abstract:In the following interview, the French-Senegalese director Alain Gomis discusses some of his varied sources of inspiration and provides a sobering examination of the Senegalese film industry. The director also expounds upon his last feature, the cryptic Félicité (2017, France and Senegal), notably outlining the reasons why he is drawn to hybrid characters and liminal spaces. Lastly, Gomis explains his approach to spectatorship and reveals his upcoming film projects.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music to My Eyes: A Conversation with Alain Gomis\",\"authors\":\"Guillaume Coly\",\"doi\":\"10.2979/blackcamera.14.1.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In the following interview, the French-Senegalese director Alain Gomis discusses some of his varied sources of inspiration and provides a sobering examination of the Senegalese film industry. The director also expounds upon his last feature, the cryptic Félicité (2017, France and Senegal), notably outlining the reasons why he is drawn to hybrid characters and liminal spaces. Lastly, Gomis explains his approach to spectatorship and reveals his upcoming film projects.\",\"PeriodicalId\":42749,\"journal\":{\"name\":\"Black Camera\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Black Camera\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/blackcamera.14.1.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Camera","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/blackcamera.14.1.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract:In the following interview, the French-Senegalese director Alain Gomis discusses some of his varied sources of inspiration and provides a sobering examination of the Senegalese film industry. The director also expounds upon his last feature, the cryptic Félicité (2017, France and Senegal), notably outlining the reasons why he is drawn to hybrid characters and liminal spaces. Lastly, Gomis explains his approach to spectatorship and reveals his upcoming film projects.
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