{"title":"衡量音乐中的刻板印象：苏西诺与舒伯特评论（2019）","authors":"Manuel Anglada-Tort","doi":"10.18061/emr.v14i1-2.6659","DOIUrl":null,"url":null,"abstract":"In this commentary, I first discuss the strengths of the target paper and provide suggestions for future research. I proceed to point out an important limitation of the target study as well as contribute considerations relevant to measuring stereotypes in music. Finally, I present a novel theoretical account to explain music stereotyping, namely, the representativeness heuristic (Tversky & Kahneman, 1974), which I discuss within the broader framework of the behavioral economics of music.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":"14 1","pages":"16-21"},"PeriodicalIF":0.6000,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Measuring Stereotypes in Music: A Commentary on Susino and Schubert (2019)\",\"authors\":\"Manuel Anglada-Tort\",\"doi\":\"10.18061/emr.v14i1-2.6659\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this commentary, I first discuss the strengths of the target paper and provide suggestions for future research. I proceed to point out an important limitation of the target study as well as contribute considerations relevant to measuring stereotypes in music. Finally, I present a novel theoretical account to explain music stereotyping, namely, the representativeness heuristic (Tversky & Kahneman, 1974), which I discuss within the broader framework of the behavioral economics of music.\",\"PeriodicalId\":44128,\"journal\":{\"name\":\"Empirical Musicology Review\",\"volume\":\"14 1\",\"pages\":\"16-21\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2019-11-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Empirical Musicology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/emr.v14i1-2.6659\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v14i1-2.6659","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Measuring Stereotypes in Music: A Commentary on Susino and Schubert (2019)
In this commentary, I first discuss the strengths of the target paper and provide suggestions for future research. I proceed to point out an important limitation of the target study as well as contribute considerations relevant to measuring stereotypes in music. Finally, I present a novel theoretical account to explain music stereotyping, namely, the representativeness heuristic (Tversky & Kahneman, 1974), which I discuss within the broader framework of the behavioral economics of music.
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