{"title":"鸟的集合","authors":"Heidi Carver Collier","doi":"10.1080/19342039.2022.2053480","DOIUrl":null,"url":null,"abstract":"ABSTRACT An artist describes her creative process for the assemblages to honor the epic poem The Conference of the Birds, written by Sufi poet Sheikh Farīd ud-Dīn Attar (1145–1220 CE). She describes the components she selected, the Japanese obis and hand-carved brooches, as she elaborates on their relevance to the shrines.","PeriodicalId":41355,"journal":{"name":"Jung Journal-Culture & Psyche","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Assemblage of the Birds\",\"authors\":\"Heidi Carver Collier\",\"doi\":\"10.1080/19342039.2022.2053480\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT An artist describes her creative process for the assemblages to honor the epic poem The Conference of the Birds, written by Sufi poet Sheikh Farīd ud-Dīn Attar (1145–1220 CE). She describes the components she selected, the Japanese obis and hand-carved brooches, as she elaborates on their relevance to the shrines.\",\"PeriodicalId\":41355,\"journal\":{\"name\":\"Jung Journal-Culture & Psyche\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jung Journal-Culture & Psyche\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/19342039.2022.2053480\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jung Journal-Culture & Psyche","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/19342039.2022.2053480","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
一位艺术家描述了她为纪念苏菲派诗人Sheikh farfard ud- d n Attar(公元1145-1220年)的史诗《鸟的会议》而创作的组装过程。她描述了她选择的组件,日本的obis和手工雕刻的胸针,她详细阐述了它们与神社的关系。
ABSTRACT An artist describes her creative process for the assemblages to honor the epic poem The Conference of the Birds, written by Sufi poet Sheikh Farīd ud-Dīn Attar (1145–1220 CE). She describes the components she selected, the Japanese obis and hand-carved brooches, as she elaborates on their relevance to the shrines.
期刊介绍:
Jung Journal: Culture & Psyche is an international quarterly published by the C.G. Jung Institute of San Francisco, one of the oldest institutions in America dedicated to Jungian studies and analytic training. Founded in 1979 by John Beebe under the title The San Francisco Jung Institute Library Journal, Jung Journal has evolved from a local journal of book and film reviews to one that attracts readers and contributors worldwide--from the Academy, the arts, and from Jungian analyst-scholars. Featuring peer-reviewed scholarly articles, poetry, art, book and film reviews, and obituaries, Jung Journal offers a dialogue between culture--as reflected in art.