“即将到来的愤怒的形状”

Q1 Arts and Humanities
Nadia Alahmed
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引用次数: 0

摘要

本文追溯了詹姆斯·鲍德温关于阿以冲突的论述的演变,并将其与他自己作为黑人思想家、活动家和作家的演变联系起来。它为鲍德温在阿以冲突和美国黑人与犹太人关系上的思想转变创造了一条微妙的轨迹,这条轨迹是通过鲍德温与20世纪一些主要的激进黑人运动和组织的关系来创造的:马尔科姆·艾克斯,伊利亚·穆罕默德和伊斯兰民族,最后是黑人权力运动,尤其是黑豹党。这篇文章以鲍德温为例,展示了阿拉伯-以色列冲突是黑人激进分子用来表达他们对美国黑人压迫的本质、抵抗策略、黑人解放的意义和黑人身份认同的看法的一个领域。文章认为,对鲍德温从犹太复国主义国家建设计划的支持者转变为巴勒斯坦权利和民族愿望的倡导者的研究,揭示了更大范围的黑人解放运动的意识形态转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The Shape of the Wrath to Come”
This article traces the evolution of James Baldwin’s discourse on the Arab–Israeli conflict as connected to his own evolution as a Black thinker, activist, and author. It creates a nuanced trajectory of the transformation of Baldwin’s thought on the Arab–Israeli conflict and Black and Jewish relations in the U.S. This trajectory is created through the lens of Baldwin’s relationship with some of the major radical Black movements and organizations of the twentieth century: Malcolm X, Elijah Muhammad and the Nation of Islam, and, finally, the Black Power movement, especially the Black Panther Party. Using Baldwin as an example, the article displays the Arab–Israeli conflict as a terrain Black radicals used to articulate their visions of the nature of Black oppression in the U.S., strategies of resistance, the meaning of Black liberation, and articulations of Black identity. It argues that the study of Baldwin’s transformation from a supporter of the Zionist project of nation-building to an advocate of Palestinian rights and national aspirations reveals much about the ideological transformations of the larger Black liberation movement.
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
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