嘻哈教学法、社会正义与跨国媒体研究:Eko Fresh的“Aber”与Joyner Lucas的“I’m Not Racist”对话

IF 0.6 0 LANGUAGE & LINGUISTICS
Didem Uca, Kate Zambon, Maria Stehle
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引用次数: 2

摘要

本文通过美国黑人说唱歌手乔伊纳·卢卡斯(Joyner Lucas)的《我不是种族主义者》(2017)和土耳其裔德国说唱歌手埃科·弗莱什(Eko Fresh)的《阿伯尔》(2018),研究了嘻哈在大学媒体和文化研究课程中作为教授社会正义的工具。借鉴嘻哈作为一种基于行动主义的艺术形式的地位,作者提出嘻哈为在比较框架中学习批判性媒体分析提供了富有成效的途径,并发展了超越课堂空间的对话实践。虽然这两条轨道都暗示了通过对立党派之间的对话来克服政治分歧的可能性,但每位艺术家所处的社会、语言、民族和历史背景以及他们对这些对话的不同方法,导致了两条主题和形式上相似但文化上特定的轨道。本文所包含的教学材料旨在引导学习者批判性地审视各种形式的对话,因为它们在个人语境中起作用,并超越:音乐视频的舞台对话;视频与受众在接受过程中的批判性对话;以及艺术家作品之间的跨国对话。这些教学方法展示了嘻哈文本和背景如何在社会正义导向的框架内提供分析关键主题的机会,例如基于种族,国籍和宗教的歧视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hip-Hop Pedagogy, Social Justice, and Transnational Media Studies: Eko Fresh's “Aber” and Joyner Lucas's “I'm Not Racist” in Dialogue

This article examines hip-hop as a vehicle for teaching social justice in college-level media and cultural studies courses taught in English or German through engagement with Black American rapper Joyner Lucas's “I'm Not Racist” (2017) and Turkish-German rapper Eko Fresh's “Aber” (2018). Drawing on hiphop's status as an art form grounded in activism, the authors propose that hip-hop offers productive avenues to learn critical media analysis in a comparative framework and develop dialogic practices that transcend the classroom space. While both tracks suggest possibilities for overcoming political differences through their staging of dialogues between opposed parties, the social, linguistic, national, and historical contexts in which each artist operates and their different approaches to these dialogues lead to two thematically and formally similar yet culturally specific tracks. The included teaching materials in this article aim to lead learners to critically examine the various forms of dialogue as they function within their individual contexts and beyond: the staged dialogue of the music videos; the critical dialogue between the videos and their audiences in the process of reception; and the transnational dialogue occurring between the artists' works. These pedagogical approaches demonstrate how hip-hop texts and contexts provide opportunities to analyze key topics such as discrimination based on race, nationality, and religion within a social justice-oriented framework.

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来源期刊
Unterrichtspraxis-Teaching German
Unterrichtspraxis-Teaching German LANGUAGE & LINGUISTICS-
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