《不朽的古兰经āns的苏丹Shaʿbān

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY

Journal of Islamic Manuscripts Pub Date : 2023-01-11 DOI:10.1163/1878464x-01401001

Adeline Laclau

{"title":"《不朽的古兰经āns的苏丹Shaʿbān","authors":"Adeline Laclau","doi":"10.1163/1878464x-01401001","DOIUrl":null,"url":null,"abstract":"\n This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.","PeriodicalId":40893,"journal":{"name":"Journal of Islamic Manuscripts","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Monumental Qur’āns of Sultan Shaʿbān\",\"authors\":\"Adeline Laclau\",\"doi\":\"10.1163/1878464x-01401001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.\",\"PeriodicalId\":40893,\"journal\":{\"name\":\"Journal of Islamic Manuscripts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Islamic Manuscripts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/1878464x-01401001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Islamic Manuscripts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1878464x-01401001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

本文重点介绍苏丹阿什拉夫·沙·bān二世(1363-1378)统治时期制作的七座纪念性古兰经āns，这些古兰经被认为是马穆鲁克艺术的杰作。这些是MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6,7,8,9,10,15和54。本研究的目的是通过对论文格式、写作和说明的考察，加深我们对这些手稿的制造系统和生产背景的了解。这种分析使我们能够在14世纪手稿生产的整体背景下定位这些古兰经āns，但也可以重新考虑涉及其装饰的两个照明车间的位置，以及它们与苏丹沙伊bān及其随行人员的关系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The Monumental Qur’āns of Sultan Shaʿbān

This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Journal of Islamic Manuscripts HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of Islamic Manuscripts (JIM) explores the crucial importance of the handwritten book in the Muslim world. It is concerned with the written transmission of knowledge, the numerous varieties of Islamic book culture and the materials and techniques of bookmaking, namely codicology. It also considers activities related to the care and management of Islamic manuscript collections, including cataloguing, conservation and digitization. It is the Journal’s ambition to provide students and scholars, librarians and collectors – in short, everyone who is interested in Islamic manuscripts – with a professional journal and functional platform of their own. It welcomes contributions in English, French and Arabic on codicology, textual studies, manuscript collections and collection care and management. Papers will be peer-reviewed to maintain a high scholarly level. The Journal of Islamic Manuscripts is published on behalf of the Islamic Manuscript Association Limited, an international non-profit organization dedicated to protecting Islamic manuscripts and supporting those who work with them.