Dematerializing Sovereignties in The Character of Holland and The Loyal Scot

This paper argues that in The Character of Holland and The Loyal Scot, Marvell consistently meditates on the nature of political sovereignty, especially regarding its perils and shortcomings. By ventriloquizing republican propaganda and monarchical ideology in these poems, Marvell creates a space where he can stage and then dematerialize these absolutist forms of power. Marvell demonstrates how the debate regarding union and division in each poem is really an argument about the nature and potential excesses of sovereign power. He does this by constructing a poetics in which his delineations of the political, as well as his own provisional status as an author, call into question the various formations of national identity put forward in these early and late satires. By entangling the political and the aesthetic, Marvell is able to imagine deeper, more abiding kinds of human attachment that transcend national boundaries and limit the exercise of sovereign power.