乱伦、月食和月亮斑点的起源:美国印第安神话中的黑暗和混乱的自然

IF 0.4 3区 社会学 0 FOLKLORE
Deon Liebenberg
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引用次数: 2

摘要

摘要:美洲印第安人的神话涉及到乱伦、日食和月亮斑点的起源等相关主题,揭示了一个复杂的宇宙体系,这个体系在美洲广泛存在,它以黑暗、混乱、腐败和死亡的方式呈现自然,与文化相反,文化被认为是光明、秩序、不朽和神圣的。这种对立有不同的表现形式,这些对立的调解是通过神话和仪式以复杂的方式实现的。本文采用比较的方法来分析克劳德·莱姆西-斯特劳斯所记录的神话和主题。过去滥用比较神话为殖民主义和种族主义议程辩护的臭名昭著的做法给这门学科蒙上了阴影。书中所表达的思想被视为一种知识传统的表现,而不是将材料简化为思想或人类社会的一般功能。本文将从lassivi - strauss在大量美洲印第安神话之间建立的结构联系开始,揭示不同文化中相关神话思想的丰富性和智力深度。一个想法或主题的变化被理解为它们是传统和创造的动态过程的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Incest, Eclipse, and the Origin of the Moon's Spots: Nature as Darkness and Chaos in Amerindian Myth
Abstract:Amerindian myths dealing with the related themes of incest, eclipse, and the origin of the moon's spots reveal glimpses of an elaborate cosmological system, widespread across the Americas, that presents nature in terms of darkness, chaos, corruption, and mortality—in opposition to culture, which is identified with light, order, immortality, and the sacred. This opposition takes diverse manifestations and the mediation of these opposites is achieved, in both myth and ritual, in complex ways. This article uses a comparative approach to analyze myths and motifs documented by Claude Lévi-Strauss. The notorious abuse of comparative mythology in the past to vindicate colonialist and racist agendas has cast a dark shadow over this discipline. Instead of reducing the material to generalized functions of the mind or of human society, the ideas expressed are treated as manifestations of an intellectual tradition. Starting with the structural links that Lévi-Strauss makes between a large body of Amerindian myths, this article will reveal the richness and intellectual depth with which the relevant mythic ideas are elaborated in different cultures. The variations of an idea or motif are approached with the understanding that they are manifestations of a dynamic process of tradition and creation.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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