{"title":"名誉与启示","authors":"Peter Larner","doi":"10.1080/09524142.2023.2215059","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article seeks to add to our understanding of one of the principal characters in the life of John Keats. Joseph Severn accompanied Keats to Rome and was at his bedside when the poet died. Research for the essay began with the discovery of a painting in 1993. The Infant of the Apocalypse Caught up to Heaven occupied ten years of Severn’s life. Its star-crossed history provides an intriguing narrative, epitomising the irreverence towards Severn’s stature as an artist. This altarpiece in the Papal Basilica of St Paul outside the Walls, and many other acclaimed paintings by Severn displayed in galleries worldwide, challenge the received wisdom that Severn’s fame resulted entirely from his relationship with Keats. Finding the missing painting in Rome thirty years ago initiated this essay.","PeriodicalId":41387,"journal":{"name":"KEATS-SHELLEY REVIEW","volume":"37 1","pages":"46 - 54"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Of Fame and Revelations\",\"authors\":\"Peter Larner\",\"doi\":\"10.1080/09524142.2023.2215059\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article seeks to add to our understanding of one of the principal characters in the life of John Keats. Joseph Severn accompanied Keats to Rome and was at his bedside when the poet died. Research for the essay began with the discovery of a painting in 1993. The Infant of the Apocalypse Caught up to Heaven occupied ten years of Severn’s life. Its star-crossed history provides an intriguing narrative, epitomising the irreverence towards Severn’s stature as an artist. This altarpiece in the Papal Basilica of St Paul outside the Walls, and many other acclaimed paintings by Severn displayed in galleries worldwide, challenge the received wisdom that Severn’s fame resulted entirely from his relationship with Keats. Finding the missing painting in Rome thirty years ago initiated this essay.\",\"PeriodicalId\":41387,\"journal\":{\"name\":\"KEATS-SHELLEY REVIEW\",\"volume\":\"37 1\",\"pages\":\"46 - 54\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"KEATS-SHELLEY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09524142.2023.2215059\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"KEATS-SHELLEY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09524142.2023.2215059","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
ABSTRACT This article seeks to add to our understanding of one of the principal characters in the life of John Keats. Joseph Severn accompanied Keats to Rome and was at his bedside when the poet died. Research for the essay began with the discovery of a painting in 1993. The Infant of the Apocalypse Caught up to Heaven occupied ten years of Severn’s life. Its star-crossed history provides an intriguing narrative, epitomising the irreverence towards Severn’s stature as an artist. This altarpiece in the Papal Basilica of St Paul outside the Walls, and many other acclaimed paintings by Severn displayed in galleries worldwide, challenge the received wisdom that Severn’s fame resulted entirely from his relationship with Keats. Finding the missing painting in Rome thirty years ago initiated this essay.
期刊介绍:
The Keats-Shelley Review has been published by the Keats-Shelley Memorial Association for almost 100 years. It has a unique identity and broad appeal, embracing Romanticism, English Literature and Anglo-Italian relations. A diverse range of items are published within the Review, including notes, prize-winning essays and contemporary poetry of the highest quality, around a core of peer-reviewed academic articles, essays and reviews. The editor, Professor Nicholas Roe, along with the newly established editorial board, seeks to develop the depth and quality of the contributions, whilst retaining the Review’s distinctive and accessible nature.