{"title":"奥威尔《1984》的幽默改写","authors":"V. Tsakona","doi":"10.7592/ejhr2021.9.4.581","DOIUrl":null,"url":null,"abstract":"This commentary piece offers some preliminary thoughts concerning the Greek memes produced since COVID-19 disease arrived at Greece at the end of February 2020, through identifying an analogy between the sociopolitical conditions in Greece-under-lockdown and Orwell’s Oceania in his 1984 novel. It is specifically argued that such texts constitute political humour commenting on the abrupt, yet pervasive changes attested due to state measures against the spread of COVID-19 disease. To this end, memes collected from the social media are discussed and interpreted in comparison with extracts from Orwell’s novel to point to striking similarities between the 1984 sociopolitical context and the Greek one. It is, however, suggested that there is a significant difference between the two contexts: in Orwell’s dystopia, humour seems to have no place at all; on the contrary, humour thrived in Greece-under-lockdown, especially among participants in the social media, in the form of rapidly created and disseminated memes. Memory (a central notion in Orwell’s novel) emerges as a crucial factor for the production of such humour in contemporary Greece and for its absence from Orwell’s Oceania.","PeriodicalId":37540,"journal":{"name":"European Journal of Humour Research","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The humorous rewriting of Orwell’s '1984'\",\"authors\":\"V. Tsakona\",\"doi\":\"10.7592/ejhr2021.9.4.581\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This commentary piece offers some preliminary thoughts concerning the Greek memes produced since COVID-19 disease arrived at Greece at the end of February 2020, through identifying an analogy between the sociopolitical conditions in Greece-under-lockdown and Orwell’s Oceania in his 1984 novel. It is specifically argued that such texts constitute political humour commenting on the abrupt, yet pervasive changes attested due to state measures against the spread of COVID-19 disease. To this end, memes collected from the social media are discussed and interpreted in comparison with extracts from Orwell’s novel to point to striking similarities between the 1984 sociopolitical context and the Greek one. It is, however, suggested that there is a significant difference between the two contexts: in Orwell’s dystopia, humour seems to have no place at all; on the contrary, humour thrived in Greece-under-lockdown, especially among participants in the social media, in the form of rapidly created and disseminated memes. Memory (a central notion in Orwell’s novel) emerges as a crucial factor for the production of such humour in contemporary Greece and for its absence from Orwell’s Oceania.\",\"PeriodicalId\":37540,\"journal\":{\"name\":\"European Journal of Humour Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Humour Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7592/ejhr2021.9.4.581\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Humour Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7592/ejhr2021.9.4.581","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
This commentary piece offers some preliminary thoughts concerning the Greek memes produced since COVID-19 disease arrived at Greece at the end of February 2020, through identifying an analogy between the sociopolitical conditions in Greece-under-lockdown and Orwell’s Oceania in his 1984 novel. It is specifically argued that such texts constitute political humour commenting on the abrupt, yet pervasive changes attested due to state measures against the spread of COVID-19 disease. To this end, memes collected from the social media are discussed and interpreted in comparison with extracts from Orwell’s novel to point to striking similarities between the 1984 sociopolitical context and the Greek one. It is, however, suggested that there is a significant difference between the two contexts: in Orwell’s dystopia, humour seems to have no place at all; on the contrary, humour thrived in Greece-under-lockdown, especially among participants in the social media, in the form of rapidly created and disseminated memes. Memory (a central notion in Orwell’s novel) emerges as a crucial factor for the production of such humour in contemporary Greece and for its absence from Orwell’s Oceania.
期刊介绍:
The European Journal of Humour Research (EJHR) is a peer-reviewed quarterly journal with an international multidisciplinary editorial board. Although geographically-oriented towards the ˋold continentˊ, the European perspective aims at an international readership and contributors. EJHR covers the full range of work being done on all aspects of humour phenomenon. EJHR is designed to respond to the important changes that have affected the study of humour but particular predominance is given to the past events and current developments in Europe.