卢西柳斯和尼吉迪乌斯·费古路斯关于正象似性的研究

IF 0.2 0 CLASSICS
Marco Mancini
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引用次数: 0

摘要

摘要漫画诗人卢西留在其写于公元前115–110年的《萨蒂雷》第九本书中提出了几个正字法处方。在处理这个话题时,路西柳严厉批评了阿丘斯关于正字法的论述,拒绝了他关于双元音(“geminatio vocalum”)和过度概括  对于/i:/。一个世纪后,哲学家尼吉迪乌斯·菲古路斯借用了卢西留的处方,这些处方显然遵循了伪斯多葛主义συμπάσχεις-理论的象似原理。本文结合词干的格词素,对卢西留和尼吉迪乌斯学说中的正字象似性提出了新的解释。事实上,只有考虑到  和草书的拼写(即  vs ). 最后,解释术语tenuis“薄”与pinguis“厚”的关键可以追溯到一个古老的毛纺实践隐喻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lucilius and Nigidius Figulus on orthographic iconicity
Abstract The comic poet Lucilius proposed several orthographic prescriptions in the ninth book of his Satirae, written in the period 115–110 BC. In dealing with this topic, Lucilius severely criticized Accius’ statements on orthography, refusing his proposals of doubling vowels (“geminatio vocalium”) and overgeneralization of  for /i:/. Lucilius’ prescriptions, which were borrowed by the philosopher Nigidius Figulus a century later, clearly follow the iconical principles of the pseudo-Stoic συμπάσχειν-theory. In this paper a new interpretation of the orthographic iconicity in Lucilius’ and Nigidius’ doctrine is proposed, with reference to the case morphemes of *-ŏ- and *-ā- stems. As a matter of fact, “thickening” and “thinning” of the letter-forms (addĕre vs tenuāre, pinguis vs tenuis) can be satisfactorily explained only by taking account of  andspellings in a cursive script (namely  vs ). Finally, the key to explain the technical terms tenuis ‘thin’ vs pinguis ‘thick’ is traced back to an ancient metaphor of the wool-spinning practices.
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来源期刊
CiteScore
0.80
自引率
50.00%
发文量
5
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