从死亡驱动到自我创业:黑色电影的新自由主义主体谱系

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2019-12-27 DOI:10.1353/pmc.2019.0012

T. Nagypál

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引用次数: 0

摘要

摘要:本文通过对《双重赔偿》(1944)、《体热》(1981)和《非常嫌疑犯》(1995)的比较分析，论证了米歇尔·福柯所谓的新自由主义自我企业家在黑色电影经典话语建构的主体中有其原型。虽然在该类型的早期形式中，个人对存在自我价值的尝试仍然是由死亡驱动的，与古典自由主义的意识形态价值不可比较，但新小说将其孤立的主人公的独特存在模式重新构建为超越共同社会规范限制的人力资本储存库。

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From Death Drive to Entrepreneurship of the Self: Film Noir's Genealogy of the Neoliberal Subject

Abstract:Through the comparative analysis of Double Indemnity (1944), Body Heat (1981), and The Usual Suspects (1995), this paper argues that what Michel Foucault called the neoliberal entrepreneur of the self has its prototype in the subject constructed by the classical discourse of film noir. While in the genre's early form the individual's attempt at existential self-valorization remains death driven, incommensurable with the ideological values of classical liberalism, neonoir reframes its isolated protagonist's unique mode of being as a reservoir of human capital beyond the limits of shared social norms.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.