{"title":"La Casa Del Museo:处于非殖民化批评边缘的博物馆外联项目","authors":"Leticia Pérez Castellanos","doi":"10.1080/13500775.2022.2234190","DOIUrl":null,"url":null,"abstract":"Abstract This article presents some of the practices of the experimental project La Casa del Museo and their long-term results. This project exemplifies the exploration undertaken by various professionals at the Museo Nacional de Antropología (MNA) to reconsider the role of that institution in relation to society, coinciding with the rise of decolonial criticism. It also allows for a reconsideration of museum experiences and actions to reimagine the role of museums in a postcolonial world. Between 1972 and 1980 the project operated an outreach programme undertaken in barrios, that were (at that time) located on the outskirts of Mexico City. It arose as a practical response to the series of discussions that were ongoing within the museums sector in the 1960s, and which questioned the modern museum of the type scattered across the world as a legacy of colonialism. The implemented actions illustrate the construction and exploration of new ideas and assumptions regarding the work of museums in relation to groups normally excluded from cultural participation. To begin, I revisit some of the key debates of the last quarter of the twentieth century on the role of museums in relation to society in order to analyse the context that gave rise to La Casa del Museo. I then define the key elements of its practices with regard to the postulates of the Integral/Integrated Museum, given that it aimed to ‘implement its dynamic’. Following this, I discuss the project’s long-term effects, understood as ‘resonances’.","PeriodicalId":45701,"journal":{"name":"MUSEUM INTERNATIONAL","volume":"74 1","pages":"36 - 47"},"PeriodicalIF":0.4000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La Casa Del Museo: A Museum Outreach Project at the Outset of Decolonial Criticism\",\"authors\":\"Leticia Pérez Castellanos\",\"doi\":\"10.1080/13500775.2022.2234190\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article presents some of the practices of the experimental project La Casa del Museo and their long-term results. This project exemplifies the exploration undertaken by various professionals at the Museo Nacional de Antropología (MNA) to reconsider the role of that institution in relation to society, coinciding with the rise of decolonial criticism. It also allows for a reconsideration of museum experiences and actions to reimagine the role of museums in a postcolonial world. Between 1972 and 1980 the project operated an outreach programme undertaken in barrios, that were (at that time) located on the outskirts of Mexico City. It arose as a practical response to the series of discussions that were ongoing within the museums sector in the 1960s, and which questioned the modern museum of the type scattered across the world as a legacy of colonialism. The implemented actions illustrate the construction and exploration of new ideas and assumptions regarding the work of museums in relation to groups normally excluded from cultural participation. To begin, I revisit some of the key debates of the last quarter of the twentieth century on the role of museums in relation to society in order to analyse the context that gave rise to La Casa del Museo. I then define the key elements of its practices with regard to the postulates of the Integral/Integrated Museum, given that it aimed to ‘implement its dynamic’. Following this, I discuss the project’s long-term effects, understood as ‘resonances’.\",\"PeriodicalId\":45701,\"journal\":{\"name\":\"MUSEUM INTERNATIONAL\",\"volume\":\"74 1\",\"pages\":\"36 - 47\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSEUM INTERNATIONAL\",\"FirstCategoryId\":\"1090\",\"ListUrlMain\":\"https://doi.org/10.1080/13500775.2022.2234190\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSEUM INTERNATIONAL","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/13500775.2022.2234190","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
La Casa Del Museo: A Museum Outreach Project at the Outset of Decolonial Criticism
Abstract This article presents some of the practices of the experimental project La Casa del Museo and their long-term results. This project exemplifies the exploration undertaken by various professionals at the Museo Nacional de Antropología (MNA) to reconsider the role of that institution in relation to society, coinciding with the rise of decolonial criticism. It also allows for a reconsideration of museum experiences and actions to reimagine the role of museums in a postcolonial world. Between 1972 and 1980 the project operated an outreach programme undertaken in barrios, that were (at that time) located on the outskirts of Mexico City. It arose as a practical response to the series of discussions that were ongoing within the museums sector in the 1960s, and which questioned the modern museum of the type scattered across the world as a legacy of colonialism. The implemented actions illustrate the construction and exploration of new ideas and assumptions regarding the work of museums in relation to groups normally excluded from cultural participation. To begin, I revisit some of the key debates of the last quarter of the twentieth century on the role of museums in relation to society in order to analyse the context that gave rise to La Casa del Museo. I then define the key elements of its practices with regard to the postulates of the Integral/Integrated Museum, given that it aimed to ‘implement its dynamic’. Following this, I discuss the project’s long-term effects, understood as ‘resonances’.
期刊介绍:
In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.