视觉人类学与视觉传达人类学

Pub Date : 2021-07-01 DOI:10.2478/saec-2021-0002
Radu Stănese
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引用次数: 0

摘要

视觉人类学有三个不同的方向,既相互重叠又相互竞争:一是视觉人类学本身,主要致力于民族志和民俗电影的制作,以推广和教学为目的;另一种视觉人类学致力于研究通常以电视和电影为代表的图像手段;第三个子类别是视觉传播人类学(视觉人类学),这是三者中最雄心勃勃的一个,它包括对所有形式的文化视觉性的人类学研究,以及为人类学目的而制作的视觉媒体。对视觉人类学的认识论和方法论意义的概述揭示了一个全新的研究方向,在这个方向中,科学文本的作用必须在非语言手段的基础上重新思考。
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Visual Anthropology vs. Anthropology of Visual Communication
Abstract In visual anthropology there are three different directions, overlapping but also competing with each other at the same time: there is the visual anthropology itself, which focuses mainly on the production of ethnographic and folklore film, for promotion and teaching; another kind of visual anthropology aims at the study of pictorial means usually represented by television and film; and the third subcategory is the anthropology of visual communication (anthropology of the visual), the most ambitious of the three, which includes the anthropological study of all forms of cultural visuality, as well as the production of visual media for anthropological purposes. An overview on the epistemological and methodological implications of visual anthropology reveals a whole new direction of research, in which the role of the scientific text must be rethought in the light of nonverbal means.
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