在传输中丢失?《约翰·伯杰与观看方式的起源》(1972)

IF 1 1区 历史学 Q1 HISTORY
J. Conlin
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引用次数: 2

摘要

纪录片系列《观看的方式》于1972年1月在英国广播公司电视台播出。该系列由迈克·迪布(Mike Dibb)执导,马克思主义评论家约翰·伯杰(John Berger)呈现,探讨了西方艺术史的经典以及当代消费文化。伯杰对交叉切割和音乐的明显使用,以及他强调的“说话头”的传递,被用来驱散笼罩在“原创”艺术品周围的光环,并揭示了艺术史学家、策展人和广告公司支持资本主义、西方、男性社会秩序的技术。该系列及其相关书籍是新兴的媒体和文化研究学科的典范。本文借鉴了BBC、伯杰和迪布档案馆的剧本和其他材料,解释了这四集是如何构思和执行的。它将该系列置于伯杰之前作为艺术家、艺术评论家、主持人和作家的活动背景下,并注意到弗雷德里克·安塔尔、沃尔特·本杰明等人的影响。它的结论是,伯杰的个人魅力和对彩色电视相对较新的技术的掌握削弱了它的意图:而不是鼓励观众使用图像来构建他们自己的个人叙述,它的信息被消费为一种邀请,以政治术语来看待所有图像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lost in Transmission? John Berger and the Origins of Ways of Seeing (1972)
The documentary series Ways of Seeing was broadcast on BBC television in January 1972. Directed by Mike Dibb and presented by the marxist critic John Berger, the series addressed the canon of western art history as well as contemporary consumer culture. The conspicuous use of cross-cutting and music along with Berger’s emphatic ‘talking-head’ delivery were employed to dispel the aura enveloping ‘original’ artworks, and reveal the technologies by which art historians, curators and advertising agencies shored up a capitalist, western, male social order. The series and its associated book were canonical for the nascent disciplines of media and culture studies. Drawing on scripts and other materials from the BBC, Berger and Dibb archives, this essay explains how the four episodes were conceived and executed. It places the series in the context of Berger’s prior activity as artist, art critic, presenter and author, noting the influence of Frederick Antal, Walter Benjamin and others. It concludes that Berger’s charisma and the mastery of the relatively new technology of colour television displayed by the series undermined its intent: rather than encouraging viewers to use images in framing their own personal narratives, its message was consumed as an invitation to view all images in political terms.
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来源期刊
CiteScore
1.20
自引率
10.00%
发文量
32
期刊介绍: Since its launch in 1976, History Workshop Journal has become one of the world"s leading historical journals. Through incisive scholarship and imaginative presentation it brings past and present into dialogue, engaging readers inside and outside universities. HWJ publishes a wide variety of essays, reports and reviews, ranging from literary to economic subjects, local history to geopolitical analyses. Clarity of style, challenging argument and creative use of visual sources are especially valued.
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