这里的内部:白日梦空间和数字纪念碑

Karen Bosy
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引用次数: 0

摘要

本文从Henri Lefebvre和Rosalind Krauss的理论入手,借鉴著名地理学家和理论家Doreen Massey的理论,概述了对遗迹性的理解,这些理论支持理解遗址相关性的重要性。在此基础上,探讨了纪念碑在艺术实践中的作用,以及纪念碑与想象和白日梦的联系。包括现代主义还原论和非纪念性/反纪念性艺术实践在内的策略在艺术家明确关注“纪念碑”和“纪念碑”的作品中得到了体现,这些作品提出的问题是关于我自己的文献主义艺术实践的,以2017年意向展中的艺术品为代表:《什么是公共空间》杂志,2017,运动图像艺术作品,vault,2017,以及合作声音艺术作品Script,2017。关键词:白日梦、想象、艺术实践、纪念碑、关系空间
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Inside here: daydreaming space and the digital monument
This paper starts by considering the theories of Henri Lefebvre and Rosalind Krauss to outline an understanding of monumentality, drawing on the theories of the well-respected geographer and theorist Doreen Massey, which support the importance of understanding the relationality of site.  Following on from this, the role of the monument, and the monument’s connection to  imagination and daydreaming, in art practice is explored.  Strategies including Modernist reductionism and unmonumental/anti-monumental art practice are exemplified by artists’ works explicitly concerned with the ‘monument’ and the ‘monumental’, and the questions these works raise are discussed with respect to my own documentarist art practice as represented by artworks included in the Intentions exhibition in 2017: the zine what is public space? , 2017, the moving image artwork, vault , 2017, and collaborative sound artwork Script , 2017. Key-words : daydreaming, imagination, art practice, monument, relational space
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