我的关塔那摩写作研讨会

IF 0.8 Q3 SOCIAL ISSUES
Mohamedou Ould Slahi
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引用次数: 0

摘要

摘要:在这篇文章中,穆罕默德·乌尔德·斯拉希回顾了在反恐战争中15年的无限期拘留、酷刑和虐待对他成为一名作家的影响。他讨论了他在约旦监狱的单独监禁和其他规则,以及在Guantánamo的14年里,迫使他敏锐地观察周围的环境,从他物质生活中最小的细节中,从与警卫、审讯者和其他监狱工作人员的最平凡的互动中,从梦中,召唤人物和故事。通过倾听看守和其他被拘留者讲述他们的故事,以及经常与看守一起观看经过批准的电视和电影,这些片段被拼凑成叙述。对于作者来说,写小说和非小说为精神折磨提供了一个出口,但也创造了一种强烈的自由感,一种超越囚墙的想象生活。与此同时,他反思了自己作为一名幸存下来的作家的角色Guantánamo,作为一名有义务纪念在反恐战争中失踪或有时被杀害的许多其他年轻人的作家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
My Guantánamo Writing Seminar
Abstract:In this essay, Mohamedou Ould Slahi reflects on how fifteen years of indefinite detention, torture, and abuse in the war on terror contributed to his development as a writer. He discusses the ways in which solitary confinement and other rules governing his captivity in a prison in Jordan and for fourteen years at Guantánamo forced him to keenly observe his surroundings and to conjure characters and stories from the smallest of details in his material life, from the most mundane interactions with guards, interrogators, and other prison personnel, and from dreams. Stitching these bits into narrative came about through listening to guards and other detainees tell their stories and from consuming approved television and film, often alongside the guards. For the author, writing both fiction and nonfiction provided an outlet for mental torment, but also created intense feelings of freedom, of imaginative life beyond cell walls. At the same time, he reflects on his role as a writer who survived Guantánamo as one of obligation to the memory of the many other young men who were disappeared and sometimes killed in the war on terror.
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CiteScore
1.10
自引率
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发文量
16
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