调查老年女性作为主要主角:澳大利亚无国籍人案例研究(2020)

IF 0.4 0 FILM, RADIO, TELEVISION
J. Tindale
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引用次数: 0

摘要

摘要:Screen Australia的性别问题计划(2015-2023)解决了女性在银幕行业代表性不足的问题。老年女性在屏幕上仍然不那么显眼和刻板,这将在澳大利亚电视迷你剧《无国籍》(Freeman and Moorhouse 2020)中进行研究。《无国籍》是一部获奖剧集,由澳大利亚广播公司委托和放映,并被Netflix收购。本案例研究将采用一个由五个指导原则组成的框架来分析两个主要女性角色的刻画。这五项原则基于未发表的关于老年妇女代表性的研究数据:作为主角;真实、能干、复杂的人物;担任强有力的领导职务;以非传统角色在工作中描绘;以及有缺陷的不完美的角色。Lauzen的2021年Boxed In报告强调了40岁及以上女性在广播和流媒体服务中的代表性不足。案例研究表明,《无国籍》中的女主人公是两个截然不同的复杂、真实的人物,她们积极追求各自的目标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Investigating older women as lead protagonists: an Australian case study of Stateless (2020)
ABSTRACT Screen Australia’s Gender Matters Program (2015–2023) addresses the underrepresentation of women in the screen industry. Older women continue to be less visible and stereotyped on screen which will be examined in this paper on the Australian television mini-series Stateless (Freeman and Moorhouse 2020). Stateless is an award-winning series commissioned and screened by the Australian Broadcasting Corporation and acquired by Netflix. This case study will apply a framework comprised of five guiding principles to writing older women to analyse the portrayal of the two major female characters. The five principles are based on unpublished Honours research data addressing the representation of older women: as the lead protagonist; as authentic, capable, complex characters; in powerful leadership positions; depicted at work in an occupation in a non-traditional role; and as flawed imperfect characters. Lauzen’s 2021 Boxed In report highlights the underrepresentation of women forty and over on broadcast and streaming services. The case study reveals that the female protagonists in Stateless are two contrasting complex, authentic characters who actively pursue their respective goals.
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来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
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发文量
7
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