Caetano Veloso和文化的转变:Silviano Santiago的阅读设备

Roberto Alexandre Do Carmo Said
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A enfase recai na figura de Caetano Veloso e de sua atitude antropofagica cujo trabalho, em confluencia com o de Santiago, conjuga elementos de diferentes registros culturais, de modo a revelar as ambiguidades e os paradoxos instituidos entre o campo estetico e o politico, entre a arte e a cultura, no processo de modernizacao conservadora da sociedade brasileira. Palavras-chave: Caetano Veloso; entre-lugar; antropofagia; tropicalismo; industria cultural. Abstract: This article aims at analyzing the reading device created by Silviano Santiago in his investigation of the cultural turning point that repositioned literary studies and the relations between Art and Politics in the late 1970s in Brazil. This article elects three essays by Santiago, elaborated at different moments of his intellectual trajectory, from which I seek to identify common critical procedures that characterize a singular manner of approaching the object. 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摘要

摘要:本文旨在分析西尔维亚诺·圣地亚哥在研究20世纪70年代末巴西文学研究和艺术与政治关系的文化转变时所产生的阅读手段。去圣地亚哥和主体三个测试细节,在不同的时间的轨道上许多程序的知识,从中识别常见的一种自然的对象的方法,在一个时间处和急性复发,其揭示了痴迷的批评inflexoes和descentramentos文化秩序。重点落在图·维罗索和态度antropofagica圣地亚哥的工作,在这片土地上,结合不同的文化,记录存放的意境和悖论建立营地estetico和艺术和文化之间的争论,在巴西modernizacao保守的社会过程。关键词:Caetano Veloso;在现场;antropofagia;tropicalismo;文化产业。摘要:本文旨在分析西尔维亚诺·圣地亚哥在研究20世纪70年代末巴西重新定位文学研究的文化转折点以及艺术与政治之间的关系时所创造的阅读装置。本文选取了圣地亚哥的三篇文章,阐述了他的知识轨迹的不同时刻,从中我试图确定共同的批评程序,以一种独特的方式接近对象。其复发reveals inflections的评论家的痴迷,decentrations在文化的顺序。= =地理= =根据美国人口普查,这个县的面积为。Velosos’的工作,在圣地亚哥,结合元素的融合与文化不同的记录,以揭示ambiguities和paradoxes建立之间的美学和政治领域,艺术和文化,在巴西社会的保守的现代化的过程。关键词:Caetano Veloso;-between;anthropophagy;tropicalism;文化产业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Caetano Veloso e a viravolta da cultura: dispositivos de leitura de Silviano Santiago
Resumo: Pretendo analisar, neste artigo, o dispositivo de leitura engendrado por Silviano Santiago em sua investigacao da viravolta cultural que reposiciona os estudos literarios e as relacoes entre arte e politica no final da decada de 1970 no Brasil. Tomo como corpus tres ensaios de Santiago, elaborados em diferentes momentos de sua trajetoria intelectual, a partir dos quais busco identificar procedimentos criticos comuns que caracterizam um modo singular de aproximacao do objeto, a um so tempo difuso e agudo, cuja recorrencia revela uma obsessao do critico pelas inflexoes e pelos descentramentos na ordem da cultura. A enfase recai na figura de Caetano Veloso e de sua atitude antropofagica cujo trabalho, em confluencia com o de Santiago, conjuga elementos de diferentes registros culturais, de modo a revelar as ambiguidades e os paradoxos instituidos entre o campo estetico e o politico, entre a arte e a cultura, no processo de modernizacao conservadora da sociedade brasileira. Palavras-chave: Caetano Veloso; entre-lugar; antropofagia; tropicalismo; industria cultural. Abstract: This article aims at analyzing the reading device created by Silviano Santiago in his investigation of the cultural turning point that repositioned literary studies and the relations between Art and Politics in the late 1970s in Brazil. This article elects three essays by Santiago, elaborated at different moments of his intellectual trajectory, from which I seek to identify common critical procedures that characterize a singular manner of approaching the object. Its recurrence reveals an obsession of the critic for the inflections and decentrations in the order of culture. The emphasis is on the figure of Caetano Veloso and his anthropophagic attitude. Velosos’s work, in confluence with that of Santiago, combines elements of different cultural records, in order to reveal the ambiguities and paradoxes established between the aesthetic and the political field, between art and culture, in the process of conservative modernization of Brazilian society. Keywords: Caetano Veloso; in-between; anthropophagy; tropicalism; cultural industry.
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