{"title":"Lenka Reinerová's Uncanny Encounter with Theresienstadt","authors":"Florian Gassner","doi":"10.5699/austrianstudies.29.2021.0032","DOIUrl":null,"url":null,"abstract":"Abstract:The German-Czech author Lenka Reinerová explores the extermination of her family during the Holocaust in depth in only two texts: ‘Der Ausflug zum Schwanensee’ [The Journey to Swan Lake, 1983] and ‘Kein Mensch auf der Straße’ [Not a Soul on the Street, 1998]. In both instances, she employs elements and narrative strategies traditionally associated with the uncanny to represent the catastrophic event and its enduring impact. In ‘Kein Mensch auf der Straße’ in particular, this approach creates a grotesque contrast between the post-socialist bustle of Prague and the city of the dead the narrator encounters in Theresienstadt. Thus the spatial fictional representation of the uncanny serves to stage a return of repressed individual, family and national memory.","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"29 1","pages":"32 - 46"},"PeriodicalIF":0.1000,"publicationDate":"2022-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Austrian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5699/austrianstudies.29.2021.0032","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:德裔捷克作家Lenka reinerov在《天鹅湖之旅》(1983年)和《大街上没有灵魂》(1998年)这两篇文章中深入探讨了大屠杀期间她的家人被灭绝的情况。在这两个例子中,她使用了传统上与神秘有关的元素和叙事策略来表现灾难性事件及其持久的影响。尤其是在《Kein Mensch auf der Straße》中,这种方法在后社会主义喧嚣的布拉格和叙述者在特莱西恩施塔特(Theresienstadt)遇到的死者之城之间创造了一种怪诞的对比。因此,对神秘事件的空间虚构表现有助于对被压抑的个人、家庭和国家记忆的回归。
Lenka Reinerová's Uncanny Encounter with Theresienstadt
Abstract:The German-Czech author Lenka Reinerová explores the extermination of her family during the Holocaust in depth in only two texts: ‘Der Ausflug zum Schwanensee’ [The Journey to Swan Lake, 1983] and ‘Kein Mensch auf der Straße’ [Not a Soul on the Street, 1998]. In both instances, she employs elements and narrative strategies traditionally associated with the uncanny to represent the catastrophic event and its enduring impact. In ‘Kein Mensch auf der Straße’ in particular, this approach creates a grotesque contrast between the post-socialist bustle of Prague and the city of the dead the narrator encounters in Theresienstadt. Thus the spatial fictional representation of the uncanny serves to stage a return of repressed individual, family and national memory.