The Persian Whitman: Beyond a Literary Reception by Behnam M. Fomeshi, and: Poet of the Body: New York’s Walt Whitman ed. by Susan Jaffe Tane and Karen Karbiener (review)

Pan Books, ), p. ). Lomax was wrong, for Hughes Panassié had returned to France in February , and the session was organized and supervised by Steve Smith of the Hot Record Society. e error is significant, however, because it underlines a transatlantic contribution to the revival of New Orleans jazz, and hence the publication of the two texts that Teague here discusses. American literary history is even more complex than her fine book suggests.