{"title":"社会主义趣味的一记耳光:尤兹·阿列什科夫斯基的小说《尼古拉·尼古拉耶维奇》对社会主义现实主义规则的挑战","authors":"Elżbieta Tyszkowska-Kasprzak","doi":"10.31261/rsl.2021.31.02","DOIUrl":null,"url":null,"abstract":"Yuz Aleshkovsky wrote the novel „Nikolai Nikolaevich” in the 1970s. For a long time, the work was disseminated in samizdat and it appeared in print for the first time only in 1980. Composed under the censorship conditions of socialist realism dominant in the arts, this work violates strict taboos imposed on subjects related to sexuality and stylistic solutions which exclude sub-normative vocabulary. In many aspects, the composition of the novel resembles the pattern of the production novel. At the same time, the writer negate the values propagated in the art of socialist realism: the main character is a former pickpocket, who built a comfortable life for himself as a sperm donor in a laboratory and talks about his professional achievements in a language saturated with profanity and elements of criminal jargon. The plot of the work is based on an amalgamation of components characteristic of ideologized literary texts with elements that were unacceptable in such texts. The introduction into the novel of the theme of corporality, and human sexuality, which was a taboo topic in socialist realist literature, introduces a major dissonance and induces produces a comic effect.","PeriodicalId":34829,"journal":{"name":"Rusycystyczne Studia Literaturoznawcze","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Slap in the Face of Socialist Taste: The Novel \\\"Nikolai Nikolaevich\\\" by Yuz Aleshkovsky As a Contestation of the Rules of Socialist Realism\",\"authors\":\"Elżbieta Tyszkowska-Kasprzak\",\"doi\":\"10.31261/rsl.2021.31.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Yuz Aleshkovsky wrote the novel „Nikolai Nikolaevich” in the 1970s. For a long time, the work was disseminated in samizdat and it appeared in print for the first time only in 1980. Composed under the censorship conditions of socialist realism dominant in the arts, this work violates strict taboos imposed on subjects related to sexuality and stylistic solutions which exclude sub-normative vocabulary. In many aspects, the composition of the novel resembles the pattern of the production novel. At the same time, the writer negate the values propagated in the art of socialist realism: the main character is a former pickpocket, who built a comfortable life for himself as a sperm donor in a laboratory and talks about his professional achievements in a language saturated with profanity and elements of criminal jargon. The plot of the work is based on an amalgamation of components characteristic of ideologized literary texts with elements that were unacceptable in such texts. The introduction into the novel of the theme of corporality, and human sexuality, which was a taboo topic in socialist realist literature, introduces a major dissonance and induces produces a comic effect.\",\"PeriodicalId\":34829,\"journal\":{\"name\":\"Rusycystyczne Studia Literaturoznawcze\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rusycystyczne Studia Literaturoznawcze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31261/rsl.2021.31.02\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rusycystyczne Studia Literaturoznawcze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/rsl.2021.31.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Yuz Aleshkovsky在20世纪70年代写了小说《Nikolai Nikolaevich》。在很长一段时间里,这部作品在地下刊物上传播,直到1980年才第一次出现在印刷品上。在社会主义现实主义艺术占主导地位的审查条件下创作,这部作品违反了对与性有关的主题的严格禁忌,以及排除亚规范词汇的风格解决方案。在许多方面,小说的写作模式与生产小说相似。同时,作者否定了社会主义现实主义艺术中所传播的价值观:主人公曾经是一个扒手,在实验室里捐精,过上了舒适的生活,用充满亵渎和犯罪行话的语言谈论自己的职业成就。这部作品的情节是基于意识形态文学文本特征的组成部分与这些文本中不可接受的元素的融合。在社会主义现实主义文学中,肉体性和人类性是禁忌话题,小说的引入引发了重大的不和谐,产生了喜剧效果。
A Slap in the Face of Socialist Taste: The Novel "Nikolai Nikolaevich" by Yuz Aleshkovsky As a Contestation of the Rules of Socialist Realism
Yuz Aleshkovsky wrote the novel „Nikolai Nikolaevich” in the 1970s. For a long time, the work was disseminated in samizdat and it appeared in print for the first time only in 1980. Composed under the censorship conditions of socialist realism dominant in the arts, this work violates strict taboos imposed on subjects related to sexuality and stylistic solutions which exclude sub-normative vocabulary. In many aspects, the composition of the novel resembles the pattern of the production novel. At the same time, the writer negate the values propagated in the art of socialist realism: the main character is a former pickpocket, who built a comfortable life for himself as a sperm donor in a laboratory and talks about his professional achievements in a language saturated with profanity and elements of criminal jargon. The plot of the work is based on an amalgamation of components characteristic of ideologized literary texts with elements that were unacceptable in such texts. The introduction into the novel of the theme of corporality, and human sexuality, which was a taboo topic in socialist realist literature, introduces a major dissonance and induces produces a comic effect.