{"title":"解放领土:九百蒙得维的亚的女性艺术生产","authors":"D. Tomeo","doi":"10.29192/claeh.39.1.3","DOIUrl":null,"url":null,"abstract":"artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of","PeriodicalId":40608,"journal":{"name":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Territorio liberado: la producción artística femenina en el Montevideo del Novecientos\",\"authors\":\"D. Tomeo\",\"doi\":\"10.29192/claeh.39.1.3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of\",\"PeriodicalId\":40608,\"journal\":{\"name\":\"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29192/claeh.39.1.3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ECONOMICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29192/claeh.39.1.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ECONOMICS","Score":null,"Total":0}
Territorio liberado: la producción artística femenina en el Montevideo del Novecientos
artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
