{"title":"如何用数字做事:爱的劳动损失和数量的不确定性","authors":"B. Sheerin","doi":"10.1086/717200","DOIUrl":null,"url":null,"abstract":"The unstable relationship between verba and res—words and things—in Shakespeare’s Love’s Labour’s Lost has been widely recognized among its readers and viewers, but often without sufficient context of relevant theoretical discussions actually occurring in the Elizabethan era. This essay proposes that the drama’s obsession with numbering and misnumbering might serve as a fruitful starting place for interrogating its linguistic experimentalism. After all, while sixteenth-century arithmetic manuals introduced new semiotic discussions about the referentiality of numbers, a prominent strand of Elizabethan poetic controversy revolved around how metrical numbers become meaningful within English-language verse. In particular, arguments between the classical and native-language traditions often concerned whether poetic “number” was merely an abstract tool for counting syllables (arithmos) or whether it contributed to the proportionality of the language being used (rithmos). Shakespeare’s play indirectly examines the theoretical stakes of this controversy—especially involving the referentiality of language—by continually linking the characters’ own creation of poetry to their comic confusion about how to “do things” with numbers. [B.S.]","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How to Do Things With Numbers: Love’s Labour’s Lost and Quantitative Uncertainty\",\"authors\":\"B. Sheerin\",\"doi\":\"10.1086/717200\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The unstable relationship between verba and res—words and things—in Shakespeare’s Love’s Labour’s Lost has been widely recognized among its readers and viewers, but often without sufficient context of relevant theoretical discussions actually occurring in the Elizabethan era. This essay proposes that the drama’s obsession with numbering and misnumbering might serve as a fruitful starting place for interrogating its linguistic experimentalism. After all, while sixteenth-century arithmetic manuals introduced new semiotic discussions about the referentiality of numbers, a prominent strand of Elizabethan poetic controversy revolved around how metrical numbers become meaningful within English-language verse. In particular, arguments between the classical and native-language traditions often concerned whether poetic “number” was merely an abstract tool for counting syllables (arithmos) or whether it contributed to the proportionality of the language being used (rithmos). Shakespeare’s play indirectly examines the theoretical stakes of this controversy—especially involving the referentiality of language—by continually linking the characters’ own creation of poetry to their comic confusion about how to “do things” with numbers. [B.S.]\",\"PeriodicalId\":44199,\"journal\":{\"name\":\"ENGLISH LITERARY RENAISSANCE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ENGLISH LITERARY RENAISSANCE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/717200\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/717200","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
How to Do Things With Numbers: Love’s Labour’s Lost and Quantitative Uncertainty
The unstable relationship between verba and res—words and things—in Shakespeare’s Love’s Labour’s Lost has been widely recognized among its readers and viewers, but often without sufficient context of relevant theoretical discussions actually occurring in the Elizabethan era. This essay proposes that the drama’s obsession with numbering and misnumbering might serve as a fruitful starting place for interrogating its linguistic experimentalism. After all, while sixteenth-century arithmetic manuals introduced new semiotic discussions about the referentiality of numbers, a prominent strand of Elizabethan poetic controversy revolved around how metrical numbers become meaningful within English-language verse. In particular, arguments between the classical and native-language traditions often concerned whether poetic “number” was merely an abstract tool for counting syllables (arithmos) or whether it contributed to the proportionality of the language being used (rithmos). Shakespeare’s play indirectly examines the theoretical stakes of this controversy—especially involving the referentiality of language—by continually linking the characters’ own creation of poetry to their comic confusion about how to “do things” with numbers. [B.S.]
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.