声音时间:跨学科合作中音频延时和时间分层的探索

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Evelyn Ficarra
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引用次数: 0

摘要

在这篇文章中,Evelyn Ficarra回顾了她的创作实践,特别强调了在跨学科背景下使用延时媒体和其他时间操作的技术和美学。在与媒体艺术家伊恩·温特斯(Ian Winters)合作的大型跨学科装置/表演作品《夏,冬,春》中,菲卡拉描述了她借用视觉领域的技术来模拟音频-时间方法的尝试。她认为时间的压缩、延伸和分层是作曲的工具,突出了尺度、结构和经验的问题,并建议对材料进行激进的时间操纵可以用来架起参考和抽象声音世界的桥梁。最后,菲卡拉对延时媒体的意义和诗意共鸣进行了反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sounding Time: Explorations in Audio Time-Lapse and Temporal Layering in Interdisciplinary Collaboration
Abstract In this article, Evelyn Ficarra considers her compositional practice, giving particular emphasis to the techniques and aesthetics of using time-lapse media and other temporal manipulations in interdisciplinary contexts. Foregrounding her collaboration with media artist Ian Winters on the large-scale interdisciplinary installation/performance Summer, Winter, Spring, Ficarra describes her attempt to model audio-temporal methods on techniques borrowed from the visual realm. She considers temporal compression, extension and layering as compositional tools, highlighting issues of scale, structure and experience, and suggests that radical temporal manipulations of material can serve to bridge referential and abstract sound worlds. Ficarra concludes with reflections on the meanings and poetic resonances of time-lapse media.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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