天堂树的果实:尤普作品中的认知问题。“库兹涅佐夫”

A. V. Ilinykh
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引用次数: 0

摘要

论尤普的认识论和价值论。库兹涅佐夫的诗歌以及在其中运用圣经互文的时候。本研究的目的是研究俞宇普作品中认知主题实现的特殊性。库兹涅佐夫在精神探索和宗教探索的背景下探索世界。主要目的是,考虑到抒情英雄的思维类型的具体特点,确定一组圣经性质的艺术形象,作者在讨论主题时使用。科学的新奇的工作在于一致的考虑图像和动机的圣经性质相关的问题的灵知学。特别要注意的是旧约的形象——可以追溯到堕落神话的象征。分析了作者诗学思想发展的主要方向,即科学知识与进步观念的一致性问题,以及理性主义与直觉宗教思维相互作用的相关问题。可以确定的是,作者倾向于一种基于人与上帝共同创造概念的非理性主义的真理认知方法,这导致了创作过程的神圣化和艺术家(广义上的)形象作为上帝意志的中介。库兹涅佐夫使用宗教符号是为了表明不依赖于特定历史条件的直观的宗教认知方法的普遍性和必要性。诗人对《圣经》意象的解读接近经典和民间传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The fruit of the Paradise tree: the problem of cognition in the works of Yu.P. Kuznetsov
The analysis of the epistemological and axiological aspects of Yu.P. Kuznetsov's poetry in general and when implementing the biblical intertext in it in particular is presented. The purpose of the work is to study the peculiarities of the realization of the theme of cognition in the works of Yu.P. Kuznetsov in the context of spiritual search and religious exploration of the world. The main goal is to determine, considering the specifics of the type of thinking of the lyrical hero, a set of artistic images of biblical nature, which the author uses while discussing the theme. The scientific novelty of the work lies in the consistent consideration of images and motives of biblical nature related to the problems of gnoseology. Special attention is paid to the consideration of Old Testament images-symbols dating back to the myth of the fall. The main directions of the development of the author's poetic thought regarding the issues of the consistency of scientific knowledge and the idea of progress and related problems of the interaction of rationalistic and intuitive-religious types of thinking are analyzed. It is established that the author prefers a non-rationalistic method of cognition of truth based on the concept of co-creation of man and God, which leads to the sacralization of the creative process and the image of the artist (in the broad sense of the word) as a mediator of the will of God. Kuznetsov uses the religious symbol in order to show the universality and necessity of the intuitively religious approach to cognition that does not depend on specific historical conditions. The poet's interpretation of the biblical image is close to the canon and folk tradition.
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