与/在一起绘图:20世纪初约库特景观中的听觉

IF 0.2 1区 艺术学 0 MUSIC
A. Alarcón-Jiménez, Raquel Jiménez Pasalodos, M. Díaz‐Andreu
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引用次数: 1

摘要

摘要语言学家和民族学家John P.Harrington于1914–1942年拍摄的关于美洲原住民约库特文化和语言的未发表的实地笔记,现保存在史密森学会,在Edward S.Caseý的“用/in绘制地图”概念的框架内进行了分析。讨论了20世纪初约库特人用祖先的领地绘制特里普尼地方(强大的地方)的过程,特别注意听觉和声音的作用。此外,在这些档案材料中,Yokuts部落成员以吸收和多孔的方式与不同的水体联系在一起,声音是复杂的触觉和多感官过程的一部分。通过听取与Harrington合作的Yokuts部落成员的证词,我们认为声音感知、歌曲和听觉在绘制tripni的过程中发挥了关键作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mapping with/in: hearing power in Yokuts landscapes at the beginning of the twentieth century
ABSTRACT The unpublished field notes on Native American Yokuts cultures and languages taken by linguist and ethnologist John P. Harrington in 1914–1942, now kept at the Smithsonian Institution, are analysed in the framework of Edward S. Caseýs concept of mapping with/in. The Yokuts’ process of mapping tripni places (powerful places) with/in their ancestral territories during the early twentieth century is discussed, paying particular attention to the role of hearing and sound. Moreover, in these archival materials, Yokuts tribal members relate with different bodies of water in an absorptive and porous way, with sound being part of a complex haptic and multi-sensory process. By listening to the testimonies of the Yokuts tribal members who collaborated with Harrington, we argue that sound perception, song, and the sense of hearing played a key role in the process of mapping tripni.
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来源期刊
CiteScore
1.10
自引率
25.00%
发文量
29
期刊介绍: Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.
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