《贵妇人与帆布天花板》:里斯·汉森

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2020-01-02 DOI:10.1080/14714787.2020.1721314

M. Greated

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引用次数: 0

摘要

这篇文章的重点是艺术家莱斯·汉森(生于1936年)，并讨论了她的工作与苏格兰艺术及其基础设施，自画像，表现主义和艺术家谁是女性的定位。虽然汉森被认为是20世纪中后期在苏格兰工作的关键具象画家之一，但本文认为，她的性别决定了她的绘画实践的接受程度。研究表明，重新评估她的职业生涯将使她的作品及其与苏格兰历史和当前绘画实践的相关性得到更全面的解释。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Grande Dame and the Canvas Ceiling: Lys Hansen

This essay focuses on the artist Lys Hansen (b. 1936) and discusses her work in relation to Scottish art and its infrastructures, self-portraiture, expressionism and the positioning of artists who are women. Although Hansen has been regarded as one of the key figurative painters working in Scotland in the mid-to-late-twentieth century, this essay suggests that her gender has defined the reception of her painting practice. The research proposes that re-evaluating her career will allow a fuller interpretation of her work and its relevance to historic and current painting practices in Scotland.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量