而不是小说

IF 0.2 Q3 HISTORY
Aspasia Pub Date : 2020-03-01 DOI:10.3167/asp.2020.140107
Olena Haleta
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引用次数: 1

摘要

本文主要关注索菲亚·亚布隆斯卡(1907-1971)的生活和文学策略,她自称是乌克兰女摄影师、摄影师和作家。在为法国纪录片制作公司工作期间,游历世界,在摩洛哥和中国生活期间,亚布隆斯卡出版了三本游记,附有数百张照片(《摩洛哥的魅力》,1932;《稻谷鸦片之国》,1936年;《遥远的地平线》(1939),结合了自传体和人类学的方法,打破了诗歌和叙事的惯例。在她的游记中,亚布隆斯卡审视了传统与现代文化之间的矛盾,并用语言和视觉的形式表达出来。索菲亚·亚布隆斯卡放弃了小说的体裁,选择了游记的体裁,在体裁、性别、人类学、自传、感知、媒介、文化和话语等方面超越了文学和生活规范。她的写作不仅揭示了其他国家,而且在写作过程中表现出现代人格的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Instead of a Novel
This article focuses on the life and literary strategies of Sophia Yablonska (1907–1971), a self-identified Ukrainian camerawoman, photographer, and writer. While working for a French documentary production company, traveling around the world, and living in Morocco and China, Yablonska published three books of travelogues supported by hundreds of photos (The Charm of Morocco, 1932; From the Country of Rice and Opium, 1936; and Distant Horizons, 1939) that combine autobiographical and anthropological approaches and transgress poetic and narrative conventions. In her travelogues, Yablonska examines the contradictions between traditional and modern culture and expresses them in verbal and visual forms. Abandoning the genre of the novel for that of the travelogue, Sophia Yablonska transgressed literary and life norms in terms of genre, gender, anthropology, autobiography, perception, media, culture, and discourse. Her writings not only reveal other countries, but also show the formation of a modern personality in the process of writing.
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来源期刊
Aspasia
Aspasia HISTORY-
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
30 weeks
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