从青少年电影到新兴成人电影：《说任何话》（1989）和《高保真》（2000）中的成人之路

Q3 Arts and Humanities

Anglica Pub Date : 2022-10-01 DOI:10.7311/0860-5734.31.1.07

Andrea Sofía Regueira Martín

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引用次数: 0

摘要

在过去的几十年里，后工业化国家向成年的过渡变得更长，产生了新兴的成年期，这是青春期和成年期之间的一个新的生活阶段（Arnett和Taber，1994年，Arnett 20002004年）。电影反映了这种变化，越来越多的叙事探索了这个人生阶段的挑战。通过对《说任何话》（Cameron Crowe，1989）和《高保真》（Stephen Frears，2000）的比较分析，本文试图通过概述一些使其不同于青少年电影的通用惯例，将新兴的成人电影确立为自己的青少年电影亚类。

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From the Teen Film to the Emerging Adult Film: The Road to Adulthood in Say Anything (1989) and High Fidelity (2000)

In the past decades, the transition to adulthood in post-industrial countries has become longer, giving rise to emerging adulthood, a new life stage between adolescence and adulthood (Arnett and Taber 1994, Arnett 2000, 2004). Cinema has reflected this change, with a growing number of narratives exploring the challenges of this life stage. Through a comparative analysis of Say Anything (Cameron Crowe, 1989) and High Fidelity (Stephen Frears, 2000), this article seeks to establish the emerging adult film as a youth film subgenre of its own by outlining some of the generic conventions that make it different from teenage films.

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来源期刊

Anglica Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

26 weeks