疫情支点:陶电影的诞生

IF 0.4 0 LITERATURE, AMERICAN
E. Hayes
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引用次数: 0

摘要

摘要:在疫情爆发之前,人们就已经发现了陶府现场表演的魔力。人们越来越欣赏在奥尼尔创作的地方制作他的戏剧的独特经历。大流行要求我们戏剧性地重新思考游戏和场所的结合意味着什么。与许多创新一样,需求要求新的思维。问题出现了,需要解决办法来应付这个时刻。人们发现了一种新的方式来纪念尤金·奥尼尔的戏剧及其与道府的联系。拍摄这些戏剧不仅给我们提供了一种保持创造力和生产力的方式,从而使奥尼尔的精神得以延续,而且还建立了新的观众范围。就像我们希望并期待一个没有covid - 19的未来一样,尤金·奥尼尔基金会现在也期待着一个混合节目的未来,即现场和电影制作的结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pandemic Pivot: The Birth of Tao House Films
ABSTRACT:Prior to the pandemic, the magic of live performance at Tao House had been discovered. There has been a growing appreciation for the unique experience of producing O'Neill's plays where he created them. The pandemic demanded a dramatic reimaging of what the combination of play and place meant. As with many innovations, necessity demanded new thinking. Problems arose and solutions were needed to meet the moment. A new approach to celebrating the plays of Eugene O'Neill and their connection to Tao House was discovered. Filming the plays not only gave us a way to remain creative and productive, thus keeping the spirit of O'Neill alive, but it also established a new breadth of audience. As much as we hope for and look toward a COVID-free future, the Eugene O'Neill Foundation now looks toward a future of hybrid programming—a combination of live and filmed productions.
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来源期刊
Eugene O Neill Review
Eugene O Neill Review LITERATURE, AMERICAN-
CiteScore
0.10
自引率
66.70%
发文量
27
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