R. Almeida, E. Barreira, Elisabete Silva, I. Brás, Ana Rocha
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Bioreceptivity of different painting systems to mould growth on "tabique" walls and plasterboards
Mould growth on the inner surfaces of building elements is a common pathology found in buildings, resulting not only in the early degradation of the materials but also in the deterioration of the indoor environment. On the other hand, building renovation provides an exceptional opportunity to improve the quality of life of its users. Within this scope it is therefore relevant to understand the effect that different painting solutions may have on mould growth. This work evaluated the mould growth in four kinds of substrates, with different painting systems. The selected case studies were: two "tabique" walls (constructive solution with strong implantation in the built heritage), one with lime mortar and another with lime and cement mortar; and two gypsum plasterboards (a constructive solution that is widely applied in building renovation), a normal and a water repellent. To evaluate the mould growth, two methodologies were adopted: counting the number of colony forming units (CFU) in six sampling periods; and visual inspection through photographic recording, including the quantification of the percentage of "dark pixels". At the end of the test it was established that plasterboard was more favourable to mould growth when compared to "tabique" walls. Moreover, the roughness of the substrates and the sampling location had also significant impact on the results.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.