去问爱丽丝:乌鸦怎么像乐队指挥?

IF 0.7 0 MUSIC
M. Scarlato
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引用次数: 1

摘要

摘要:本文以皮埃尔·哈多的《作为一种生活方式的哲学》、刘易斯·卡罗尔的《爱丽丝梦游仙境》、雅克·德里达的《阿波里亚斯》为背景,以及作者教授初级普通音乐和初级乐队的经验,探讨了美国乐队的表演驱动方面。作者想知道,当这个行业对未来表演的痴迷和对过去传统的忠诚被搁置一边时,乐队教育可能会变成什么样子;这篇文章提出,乐队职业可能会受益于一种更加关注当下、以过程为导向的音乐创作方法,类似于普通音乐课堂的设置。作者主张围绕传统在当前乐队教育实践中所扮演的角色进行更深入的批判性对话,以实现包容性,以当下为中心的音乐制作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Go Ask Alice: How is a Raven Like a Band Director?
Abstract:This essay explores performance-driven aspects of U.S. bands in the contexts of Pierre Hadot’s Philosophy as a Way of Life, Lewis Carroll’s Alice’s Adventures in Wonderland, Jacques Derrida’s Aporias, and the author’s experience teaching both elementary general music and beginning band. The author wonders what band education might look like when the profession’s fixation on futuristic performances and allegiances to past traditions are laid aside; the article proposes that the profession of band might benefit from a more present-focused, process-oriented approach to making music, akin to that of the general music classroom setting. The author advocates for a deeper engagement in critical dialogue around the role tradition plays in current band education practices in ways that reach toward inclusive, present-focused music making.
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CiteScore
1.60
自引率
10.00%
发文量
0
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