孟加拉国电影:1947年的缺席和1971年的丰富

IF 0.5 3区 社会学 Q3 AREA STUDIES
Fahmidul Haq
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引用次数: 1

摘要

1971年,孟加拉国通过一场血腥的战争从巴基斯坦解放出来。但该国也是1947年印度分治的受害者。分治不仅分裂了印度,也分裂了孟加拉和旁遮普。穆斯林占多数的东孟加拉得到了一个新名字东巴基斯坦。然而,巴基斯坦有两翼,中间有1200英里的印度领土,无法长久地团结在一起。1971年在孟加拉国人民的记忆中相对新鲜,在当代孟加拉国政治中仍然很重要。孟加拉国曲折的政治轨迹影响了电影的话语——1947年分治的电影少了,1971年解放战争的电影多了。不同的艺术形式描绘了1947年和1971年,这两个历史事件在很大程度上塑造了孟加拉国的政治和文化性质。本文将探讨为什么1947年的电影稀缺,1971年的电影丰富在孟加拉国。本文还将审视主导史学是如何吞噬电影主体并抛弃另类史学的。在检查这些问题时,方法将是对电影制作及其内容的历史描述,并研究一些案例以深入了解情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cinema of Bangladesh: Absence of 1947 and abundance of 1971
Abstract Bangladesh got liberated from Pakistan through a bloody war in 1971. But the country was also a victim of 1947 Partition of India. The Partition not only split India also divided Bengal and Punjab. The East Bengal with Muslim majority got a new name East Pakistan. However, the country Pakistan with two wings with 1200 miles of Indian territory in between, could not stick together for long. In the memory of Bangladeshi people 1971 is relatively fresh and in the contemporary Bangladeshi politics 1971 still matters. The winding political trajectory of Bangladesh has influenced the discourses of cinema – making less films on 1947 Partition and more films on 1971 Liberation War. Different art forms have portrayed both 1947 and 1971 – the two historical incidents that heavily shaped the political and cultural nature of Bangladesh. This article will investigate why there is scarcity of 1947 films and abundance of 1971 films in Bangladesh. The article will also scrutinize how dominant historiography engulf the body of the films and discard alternative historiography. In examining these queries, the method would be a historical account of film production and its content and a few cases would be studied to get the picture in depth.
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来源期刊
India Review
India Review AREA STUDIES-
CiteScore
1.30
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8
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