{"title":"DCMS委员会对音乐流媒体经济及其对艺术家的影响的调查","authors":"A. White","doi":"10.1080/09548963.2022.2156267","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper analyses the Department of Digital, Culture, Media & Sport committee’s inquiry into the economics of music streaming. The scrutiny of the committee’s oral and written evidence, and final report is placed within the context of the music industry’s significance to UK cultural policy since the late 1990s. The perspectives of the UK’s musicians and song-writers are a focal point of the analysis of the inquiry’s published documentation, as they are when discussing the committee’s recommendations released in July 2021.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":"32 1","pages":"325 - 339"},"PeriodicalIF":1.7000,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists\",\"authors\":\"A. White\",\"doi\":\"10.1080/09548963.2022.2156267\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper analyses the Department of Digital, Culture, Media & Sport committee’s inquiry into the economics of music streaming. The scrutiny of the committee’s oral and written evidence, and final report is placed within the context of the music industry’s significance to UK cultural policy since the late 1990s. The perspectives of the UK’s musicians and song-writers are a focal point of the analysis of the inquiry’s published documentation, as they are when discussing the committee’s recommendations released in July 2021.\",\"PeriodicalId\":51682,\"journal\":{\"name\":\"Cultural Trends\",\"volume\":\"32 1\",\"pages\":\"325 - 339\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2022-12-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Trends\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/09548963.2022.2156267\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Trends","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/09548963.2022.2156267","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists
ABSTRACT This paper analyses the Department of Digital, Culture, Media & Sport committee’s inquiry into the economics of music streaming. The scrutiny of the committee’s oral and written evidence, and final report is placed within the context of the music industry’s significance to UK cultural policy since the late 1990s. The perspectives of the UK’s musicians and song-writers are a focal point of the analysis of the inquiry’s published documentation, as they are when discussing the committee’s recommendations released in July 2021.