{"title":"在真实空间和象征空间之间。在维基百科toŁkin的智慧历史遗迹的死亡报告","authors":"Magdalena Howorus-Czajka","doi":"10.5604/01.3001.0015.0031","DOIUrl":null,"url":null,"abstract":"It is the representation of death in the monuments\nby Wiktor Tołkin found at the former concentration\ncamps: Stutthof (at Sztutowo) and Majdanek (in Lublin)\nthat is discussed. As an art historian, the Author confronts\nTołkin’s monuments with the theorical framework related\nto the aesthetics of death representations in martyrology\nmuseums. The monuments were created in the late 1960s.\nThe Author has studied how the monuments coincide with\nthe contemporary exhibition strategies used in Holocaust-dedicated museums.\n\n","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"BETWEEN REAL AND SYMBOLIC SPACE. DEATH\\nREPRESENTATION IN WIKTOR TOŁKIN’S\\nMARTYROLOGY MONUMENTS\",\"authors\":\"Magdalena Howorus-Czajka\",\"doi\":\"10.5604/01.3001.0015.0031\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"It is the representation of death in the monuments\\nby Wiktor Tołkin found at the former concentration\\ncamps: Stutthof (at Sztutowo) and Majdanek (in Lublin)\\nthat is discussed. As an art historian, the Author confronts\\nTołkin’s monuments with the theorical framework related\\nto the aesthetics of death representations in martyrology\\nmuseums. The monuments were created in the late 1960s.\\nThe Author has studied how the monuments coincide with\\nthe contemporary exhibition strategies used in Holocaust-dedicated museums.\\n\\n\",\"PeriodicalId\":36577,\"journal\":{\"name\":\"Muzealnictwo\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzealnictwo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5604/01.3001.0015.0031\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzealnictwo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0015.0031","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
BETWEEN REAL AND SYMBOLIC SPACE. DEATH
REPRESENTATION IN WIKTOR TOŁKIN’S
MARTYROLOGY MONUMENTS
It is the representation of death in the monuments
by Wiktor Tołkin found at the former concentration
camps: Stutthof (at Sztutowo) and Majdanek (in Lublin)
that is discussed. As an art historian, the Author confronts
Tołkin’s monuments with the theorical framework related
to the aesthetics of death representations in martyrology
museums. The monuments were created in the late 1960s.
The Author has studied how the monuments coincide with
the contemporary exhibition strategies used in Holocaust-dedicated museums.