{"title":"当代视觉文化和文学对地中海移民的陌生化","authors":"Cecilia Piantanida","doi":"10.3828/jrs.2022.5","DOIUrl":null,"url":null,"abstract":"\nMediterranean migration is often spectacularized by contemporary global media, creating a hyper-determined discourse that any art form engaging with the migrant experience must consider. On the premise that the aesthetic qualities of visual arts and literature have the potential to destabilize sensationalist rhetoric and produce a more complex understanding of Mediterranean migration, I focus on representations of migration by sea from Northern Africa toward Europe in works from the exhibition The Restless Earth/La terra inquieta (Milan, 2017) and the Italian short story La via del pepe: finta fiaba africana per europei benpensanti (2014), by Massimo Carlotto. I show how strategies such as the integrated use of documentary and imaginative elements, the multimodal metaphoric dimension developed through word and image, and the use of irony may compel the viewer/reader to take an active role in the creation of meaning, contributing to more inclusive and relational approaches to the experience of migrants.","PeriodicalId":41740,"journal":{"name":"Journal of Romance Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Defamiliarizing Mediterranean migration in contemporary visual culture and literature\",\"authors\":\"Cecilia Piantanida\",\"doi\":\"10.3828/jrs.2022.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nMediterranean migration is often spectacularized by contemporary global media, creating a hyper-determined discourse that any art form engaging with the migrant experience must consider. On the premise that the aesthetic qualities of visual arts and literature have the potential to destabilize sensationalist rhetoric and produce a more complex understanding of Mediterranean migration, I focus on representations of migration by sea from Northern Africa toward Europe in works from the exhibition The Restless Earth/La terra inquieta (Milan, 2017) and the Italian short story La via del pepe: finta fiaba africana per europei benpensanti (2014), by Massimo Carlotto. I show how strategies such as the integrated use of documentary and imaginative elements, the multimodal metaphoric dimension developed through word and image, and the use of irony may compel the viewer/reader to take an active role in the creation of meaning, contributing to more inclusive and relational approaches to the experience of migrants.\",\"PeriodicalId\":41740,\"journal\":{\"name\":\"Journal of Romance Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Romance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/jrs.2022.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Romance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/jrs.2022.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
地中海移民经常被当代全球媒体所关注,创造了一种高度确定的话语,任何参与移民体验的艺术形式都必须考虑到这一点。在视觉艺术和文学的美学品质有可能破坏耸人听闻的修辞,并对地中海移民产生更复杂的理解的前提下,我专注于展览《不安的地球》(the Restless Earth/La terra inquieta)(米兰,2017)和马西莫·卡洛托(Massimo Carlotto)的意大利短篇小说《通过德尔佩佩:finta fiaba africana per europei benpensanti》(2014)中的作品中从北非到欧洲的海上移民。我展示了综合使用纪录片和想象力元素、通过文字和图像发展的多模式隐喻维度以及使用讽刺等策略如何迫使观众/读者在创造意义方面发挥积极作用,从而有助于对移民的体验采取更具包容性和关系性的方法。
Defamiliarizing Mediterranean migration in contemporary visual culture and literature
Mediterranean migration is often spectacularized by contemporary global media, creating a hyper-determined discourse that any art form engaging with the migrant experience must consider. On the premise that the aesthetic qualities of visual arts and literature have the potential to destabilize sensationalist rhetoric and produce a more complex understanding of Mediterranean migration, I focus on representations of migration by sea from Northern Africa toward Europe in works from the exhibition The Restless Earth/La terra inquieta (Milan, 2017) and the Italian short story La via del pepe: finta fiaba africana per europei benpensanti (2014), by Massimo Carlotto. I show how strategies such as the integrated use of documentary and imaginative elements, the multimodal metaphoric dimension developed through word and image, and the use of irony may compel the viewer/reader to take an active role in the creation of meaning, contributing to more inclusive and relational approaches to the experience of migrants.
期刊介绍:
Published in association with the Institute of Modern Languages Research, School of Advanced Study, University of London. Journal of Romance Studies (JRS) promotes innovative critical work in the areas of linguistics, literature, performing and visual arts, media, material culture, intellectual and cultural history, critical and cultural theory, psychoanalysis, gender studies, social sciences and anthropology. One themed issue and two open issues are published each year. The primary focus is on those parts of the world that speak, or have spoken, French, Italian, Spanish or Portuguese, but articles focusing on other Romance languages and cultures (for example, Catalan, Galician, Occitan, Romanian and other minority languages) is also encouraged.