君特·格拉斯的文学民族主义

IF 0.5 Q3 AREA STUDIES
Alex Donovan Cole
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引用次数: 0

摘要

德国小说家、诺贝尔文学奖得主格特尔·格拉斯在他的文学生涯中研究了国家、语言和政治之间的联系。他特别提倡一种“文学民族”的形式,称为“文化民族”(Kulturnation),将一个民族的文字与民族认同混为一谈。格拉斯认为,这种身份是对民族国家的一种抵抗,可以迫使德国人民承认大屠杀。在讲述这个另类的民族时,格拉斯运用了他所谓的“蠕虫视角”,从历史的“受害者”而不是“创造者”的角度来调整文学想象。这种文学方法的结果是两部小说:在泰尔格特的会议(Das Treffen in Telgte)和太远的地方(Ein weites Feld)。本文追溯了这些作品中文化转向的发展,并讨论了其对政治的影响,特别关注语言与政治之间的紧张关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Günter Grass's Literary Nationalism
The German novelist and Nobel laureate Günter Grass investigated the connection between nationhood, language, and politics throughout his literary career. In particular, he advocated a form of “literary nationhood” called Kulturnation (cultural nation) that conflates a nation's letters with its national identity. Grass believed that this identity served as a form of resistance to the nation-state and could force the German people to acknowledge the Holocaust. In going about this alternative nationality, Grass utilized what he called the “worm's-eye view” to align a literary imagination from the perspective of history's “victims” rather than its “makers.” The result of this literary methodology are two novels: The Meeting at Telgte (Das Treffen in Telgte) and Too Far Afield (Ein weites Feld). This article traces the development of the Kulturnation in these works and discusses its implications for politics, with special attention given to the tension between language and politics.
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