{"title":"生态诗学与景观、居住与环境——吉巴纳南达·达斯的《孟加拉鲁帕西》研究","authors":"Akaitab Mukherjee","doi":"10.1080/14662035.2022.2085405","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay analyses the portrayal of ‘dwelling’ in a collection of poems written in the 1930s by the twentieth-century Bengali modernist poet Jibanananda Das (1899–1954). Das originally planned to publish them under the title ‘Banglar Trasta Nilima’ (‘Bengal’s Shaken Sky’) but instead they published posthumously in 1957 as Rupasi Bangla (‘Bengal the Beautiful’). The essay argues, referring to the ideas of J. Scott Bryson and Jonathan Bate, that Das’s poems in this volume can be seen as ecopoetry, even though long pre-dating the coining of that term, and analyses their representation of dwelling and of human life and nature. To explicate the poet’s idea of dwelling, the essay examines the poet’s antipathy towards the city and his portrayal of the pastoral. It also argues that the poet’s idea of dwelling has similarity with the philosophy of deep ecology. Finally, following Lawrence Buell, the essay evaluates Das’s ecocritical perspective and cites the environmental philosophy of Arne Naess to justify Das’s environmental consciousness in these ecopoems.","PeriodicalId":38043,"journal":{"name":"Landscapes (United Kingdom)","volume":"23 1","pages":"67 - 87"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ecopoetry and Landscape, Dwelling and Environment: A Study of Jibanananda Das’s Rupasi Bangla\",\"authors\":\"Akaitab Mukherjee\",\"doi\":\"10.1080/14662035.2022.2085405\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay analyses the portrayal of ‘dwelling’ in a collection of poems written in the 1930s by the twentieth-century Bengali modernist poet Jibanananda Das (1899–1954). Das originally planned to publish them under the title ‘Banglar Trasta Nilima’ (‘Bengal’s Shaken Sky’) but instead they published posthumously in 1957 as Rupasi Bangla (‘Bengal the Beautiful’). The essay argues, referring to the ideas of J. Scott Bryson and Jonathan Bate, that Das’s poems in this volume can be seen as ecopoetry, even though long pre-dating the coining of that term, and analyses their representation of dwelling and of human life and nature. To explicate the poet’s idea of dwelling, the essay examines the poet’s antipathy towards the city and his portrayal of the pastoral. It also argues that the poet’s idea of dwelling has similarity with the philosophy of deep ecology. Finally, following Lawrence Buell, the essay evaluates Das’s ecocritical perspective and cites the environmental philosophy of Arne Naess to justify Das’s environmental consciousness in these ecopoems.\",\"PeriodicalId\":38043,\"journal\":{\"name\":\"Landscapes (United Kingdom)\",\"volume\":\"23 1\",\"pages\":\"67 - 87\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Landscapes (United Kingdom)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14662035.2022.2085405\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Landscapes (United Kingdom)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14662035.2022.2085405","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文分析了二十世纪孟加拉现代主义诗人吉巴纳南达·达斯(Jibanananda Das, 1899-1954)在20世纪30年代创作的诗集中对“居住”的描述。达斯最初计划以“孟加拉的摇晃的天空”(Banglar Trasta Nilima)的标题出版它们,但他们在1957年去世后以“美丽的孟加拉”(Rupasi Bangla)出版。这篇文章认为,参考J. Scott Bryson和Jonathan Bate的观点,达斯在本卷中的诗歌可以被视为生态诗歌,尽管早在该术语出现之前,并分析了它们对居住、人类生活和自然的表现。为了阐明诗人的居住观念,本文考察了诗人对城市的反感和他对田园生活的描绘。并认为诗人的栖居观与深层生态哲学有相似之处。最后,本文继劳伦斯·布尔之后,评价了达斯的生态批评观点,并引用了阿恩·奈斯的环境哲学来证明达斯在这些生态诗中的环境意识。
Ecopoetry and Landscape, Dwelling and Environment: A Study of Jibanananda Das’s Rupasi Bangla
ABSTRACT This essay analyses the portrayal of ‘dwelling’ in a collection of poems written in the 1930s by the twentieth-century Bengali modernist poet Jibanananda Das (1899–1954). Das originally planned to publish them under the title ‘Banglar Trasta Nilima’ (‘Bengal’s Shaken Sky’) but instead they published posthumously in 1957 as Rupasi Bangla (‘Bengal the Beautiful’). The essay argues, referring to the ideas of J. Scott Bryson and Jonathan Bate, that Das’s poems in this volume can be seen as ecopoetry, even though long pre-dating the coining of that term, and analyses their representation of dwelling and of human life and nature. To explicate the poet’s idea of dwelling, the essay examines the poet’s antipathy towards the city and his portrayal of the pastoral. It also argues that the poet’s idea of dwelling has similarity with the philosophy of deep ecology. Finally, following Lawrence Buell, the essay evaluates Das’s ecocritical perspective and cites the environmental philosophy of Arne Naess to justify Das’s environmental consciousness in these ecopoems.
期刊介绍:
The study of past landscapes – and their continuing presence in today’s landscape - is part of one of the most exciting interdisciplinary subjects. The integrated study of landscape has real practical applications for a society navigating a changing world, able to contribute to understanding landscape and helping shape its future. It unites the widest range of subjects in both Arts and Sciences, including archaeologists, ecologists, geographers, sociologists, cultural and environmental historians, literature specialists and artists.